I’d planned to review and discuss Who’s Next (which turns 45 this year) for Friday’s post, but then I remembered 1 July is my anniversary with the one and only All Things Must Pass. I need no excuse to talk about such a special, special, special album or how much George’s music means to me!
When I was younger, my parents played ATMP on tapes in the car on a fairly regular basis, but I can’t recall if I ever heard it all the way through until 1 July 2003. I do remember my mother saying she particularly loved “If Not for You.”
This album is so, so special, beautiful, moving, and amazing. This is one of those quintessentially perfect albums like Plastic Ono Band, Colour by Numbers, Rio, Empty Glass, and Who’s Next, against which all of an artist or band’s other albums are measured forevermore. It’s that good and perfect, this yardstick which is impossible to top.
From the very first note, I’m unfailingly drawn in. The lyrics and music perfectly set the note for the personal, spiritual journey which is about to follow. “Let me in here/I know I’ve been here/Let me into your heart….”
I honestly consider George one of my spiritual mentors. He had such a beautiful, powerful, deep, sincere belief in the Divine and the power of humanity to positively transform ourselves and the world. He understood there are many different names and faces for the Divine, and that none of them are wrong, so long as the person has a sincere heart and belief. I don’t get the allegation that certain of his songs are “preachy.” To me, they’re just expressing his own beliefs, not telling everyone we have to believe exactly the same way or that we’re going to Hell if we don’t fall in line.
His message of love and spirituality stayed with him his entire life, even until his beautiful final words, “Everything else can wait, but the search for God cannot wait, and love one another.” I often think of this final message he left to humanity.
After I bought the 2000 reissue on MP3 for my second trip to Israel in February 2008, I made a playlist of just the first 18 original tracks. I left off the bonus tracks and jam sessions. To me, the album properly ends at “Hear Me Lord,” and doesn’t contain any bonus tracks interrupting the journey, nor is it ruined by extraneous material coming after the assumed end.
Now that I think of it, it’s kind of like one of my favourite Rap Critic reviews, “Every Girl,” by Young Money. After he roasted this terrible song and seemingly ended the review, there came an unexpected fourth verse. He didn’t know if it were an outro or another verse, since they’d already had three verses and could end the song.
George had a wealth of excellent material, after years of having to fight to be thrown a bone or two every album. I know this is a rather infelicitous metaphor, but he compared it to having diarrhea for years and being unable to get to the toilet, and then he finally was able to let it all out.
This album is so, so perfect, and has more than earned its place as my #2 album, ranking only after Quadrophenia. It really helped to set the stage for George becoming my favourite solo Beatle. Words can’t express just how very, very, very much George and his music mean to me.
“I’d Have You Anytime”
“My Sweet Lord”
“Isn’t It a Pity”
“What Is Life”
“If Not for You”
“Behind That Locked Door”
“Let It Down”
“Run of the Mill”
“Beware of Darkness”
“Apple Scruffs” (a throwaway, in my opinion)
“Ballad of Sir Frankie Crisp (Let It Roll)”
“Awaiting on You All”
“All Things Must Pass”
“I Dig Love” (also approaches throwaway territory for me)
“Art of Dying”
“Isn’t It a Pity” (Version Two)
“Hear Me Lord”
There are also five tracks on what was originally the third LP, four endless, pointless, meandering jam sessions and a brief nonsense song, which I never listen to anymore:
“Out of the Blue”
“It’s Johnny’s Birthday” (the song)
“Plug Me In”
“I Remember Jeep”
“Thanks for the Pepperoni”
The 2000 remaster has one new song, “I Live for You,” plus alternate versions of “My Sweet Lord,” “Beware of Darkness,” “Let It Down,” and “What Is Life.”