In loving memory of Keith John Moon, who left the material world 44 years ago today at the tender age of 32.
It’s time again for The Insecure Writer’s Support Group, which meets the first Wednesday of every month to commiserate over worries, fears, doubts, and struggles.
This month’s question is:
What genre would be the worst one for you to tackle and why?
Epic high fantasy isn’t my genre at all. The fantasy short story I wrote a few years ago for an IWSG Anthology contest was more along the lines of magical realism, with a real-world setting (737 Japan) commingled with fantasy elements. Doing an entire book with a purely fantasy setting and the complicated rules of the genre seems impossible.
I also could never do YA contemporary, sorry not sorry. Just not the types of stories I connect with, and first-person present tense makes my eyes glaze over 99% of the time.
I’ve now gone through the entirety of what I’ve completed to date of Dream Deferred (a combination of skimming and in-depth reading, depending upon the necessity). During this process, I made notes of important details I’d forgotten (e.g., Kleopatra and Yaël are left-handed; Nestor’s first gift to his future wife Yustina is a Matryoshka necklace she treasures), things to add, and things to take out or move to the fifth book.
I made the above notes quite some time prior, a handy guide to the dating of the chapters set around the start of an academic year. Because I wrongly assumed the autumn semester always started the first week of September, I now have a bunch of things to shift around. I 100% blame myself for not doing enough research and engaging in arrogant presentism. Thankfully, I’ve now tracked down all the relevant dates from archives of The New York Times, student newspapers, and the U of Minnesota’s press releases.
Miraculously, I finally found The Minnesota Daily archives over seven years after they went MIA! It’s still not an ideal storage system, and not all issues are scanned in entirety, but at least the issues for the years I need are available again. The press releases fill in the gaps. Someone needs a better digital archivist.
The highest concentration of things to be junked or moved came in Part IV and the latter half of Part III. I got so caught up in my runaway storyline to nowhere about the Konevs moving back to NYC, I kind of forgot the subtitle is Lyuba and Ivan at University. Even before that, I didn’t have enough scenes of them at university or working on assignments!
In Part IV, they appear in less than half of the 23 chapters completed to date, and almost only when they’re visiting New York or talking about their move (or, in Ivan’s case, fighting against it). Their youngest children are likewise MIA.
As this embarrassing omission dawned on me, I began rethinking the retention of one of Part IV’s major storylines, which begins near the end of Part III. Cousins Zhdana and Susanna get pregnant during their junior year at NYU, and there’s a whole lot of sprawling drama I felt helpless to rein in. Great storyline, wrong book.
Now that I’ve gone through the entire book, vs. just skimming through parts of it out of full context, I remember why I wanted to junk a lot of the storylines that arise in Part IV. They pull the attention away from the main, long-established storylines. In the fifth book, they’ll be able to shine more strongly, since they can arise earlier and have much more time to develop.
It’ll almost feel like I’m writing this book all over again, since there are so many important events I forgot about or didn’t think to include. Even in a book with a deliberately large ensemble cast and multiple storylines, you don’t want TOO much going on, nor to introduce and rush through a major storyline when everything else is heading towards happy conclusions.