IWSG—June odds and sods

InsecureWritersSupportGroup
The Insecure Writer’s Support Group virtually meets the first Wednesday of each month, and lets us share struggles, triumphs, quandaries, and fears. This month’s question is:

 Of all the genres you read and write, which is your favorite to write in and why?

I’ve lived and breathed all things historical since childhood. History was always my favorite subject, and I never understood why so many people complain about it being boring and irrelevant. I loved learning about how people lived in other eras—clothes, food, toys, jobs, houses, pastimes, books, cars, world events.

My secondary love is soft sci-fi. It’s the opposite side of the coin from hist-fic, in that it images worlds in future eras. Both genres also require research. If your story is set in the far future, you have to know about all the predicted developments.

I know this is cliché, but I got interested in sci-fi when I discovered Isaac Asimov at age eleven. He had several stories in a book of sci-fi/futuristic stories we read in my fifth grade English class, including the first one. I was so enraptured by these imagined future worlds, I began reading all I could find about predicted future life (houses, foods, space colonies, undersea towns, leisure space travel, holographic movies, etc.).

I’m doing JuNoWriMo again, and got off to a very slow start due to my main focus being checking the updated file of my alternative history. I fully take the blame for not getting back to it at least several months earlier. Knowing I had to finish it by July was exactly what I needed for one final, major push to finish it already, but I didn’t allot enough time for stepping away to lose familiarity and develop fresh eyes.

Thus, even though I did read it through a few times, I found a LOT of little errors that slipped through. Nothing major, but just typos, misplaced words, missing words, things like that. That’s so unlike me. With all my other published books, I went through them so many times I got sick of looking at them, and only found a few tiny things here and there after the fact.

This was a very important lesson learnt, to always step aside for at least a few months before going back in to edit. Even if a book only needs fairly light editing, that can’t be accomplished properly if you’re flying through it under the gun and immediately went from typing the final word to editing. You’re still blind to your own errors.

I also began doing research for my story for the current IWSG Anthology contest. I’ve never written fantasy before, but there’s a first time for everything. Without giving too much away, my story will be set in 737 Japan, during the Nara period (the penultimate era of classical Japanese history). I’m excited to finally write an entire story in Japan, and to go much deeper back into history than I’ve ever gone before.

King Cerdic of Wessex, my 48-greats-grandpap and earliest verified ancestor, 4??–534

I recently discovered I’m a direct descendant of the Medieval Scottish and Anglo–Saxon kings, and would love to write a historical about my awesome 36-greats-grandpap King Alfred the Great. He was a fellow person of letters and scholar.

In spite of my royal lineage, I’m proudest to discover President Washington is one of my cousins. It’s an unbelievable honor to share blood with the father of my country.

Have you ever belatedly discovered a book wasn’t edited as well as it should’ve been? Would you write about one of your ancestors?

IWSG—February odds and sods

InsecureWritersSupportGroup
The Insecure Writer’s Support Group virtually meets the first Wednesday of each month, and gives participants a chance to share struggles, triumphs, quandaries, and fears. This month’s question is:

Besides writing, what other creative outlets do you have?

I’d never pretend to be professional-level, but I enjoy drawing with colored pencils, watercolor pencils, and pastels—Derwent’s Coloursoft, Artbars, and Inktense; Caran d’Ache Pablos and Neocolor II; Faber-Castell Polychromos; Koh-I-Noor woodless coloured pencils; Crayola’s Portfolio oil pastels; about a dozen Prismacolors; and Sennelier oil pastels. The lattermost were created for Picasso in 1949. When I have the money, I want to buy the complete set of Sennelier soft pastels, which were created for Degas.

My passion is for abstract and geometric art.

I also do cross-stitch and embroidery.

My mother started this for her parents after my uncle died in 1988, but put it away for years. (She made a few mistakes!) I finished it while recovering from my last leg surgery in 2006, and my grandparents were thrilled with it. They framed it and hung it on the wall of their condo. My grandma, now my only living grandparent, brought it with her when she moved to a retirement home.

I made a few mistakes of my own on this (Buddha should’ve been taller, and some objects should’ve been in slightly different spots), but no one would tell unless I explained my miscalculations.

Since I won a free title setup on IngramSpark for winning NaNo, I decided to make a hardcover for my first Russian historical. (I’ve long since had a block of five ISBNs for it from Canada’s IndieBookLauncher; this service is sadly no longer offered.) I went through it to make sure it’s as perfect as can be for this the fifth edition, and mostly made tiny tweaks and corrected a few typos that were created during the edits for the fourth edition.

At one point, I began to seriously wish I’d rewritten the first six chapters much more radically during my endless edits, revisions, and rewrites in 2011–14. I junked or radically rewrote 99% of the original 1993 material, but it still didn’t seem like I did enough.

Eventually, I stepped back and realized it’s better to bring my improved writing skills and lessons learnt into current and future books, not waste time frogging part of an already-published book and rewriting those chapters almost entirely from the ground up.

I’m very proud of how I wrote the first draft from ages 13–21, and how it reflects my writing voice, style, and abilities evolving through the years. The scant remainder of the original material is also a poignant reminder of my 128K Mac, on which I began it so many years ago.

Had I begun this book as an adult, I would’ve started it closer to the October Revolution, perhaps even in 1918, not soon after the February Revolution. I also probably would’ve set it in Petrograd, not Moskva. But it is what it is, and it wouldn’t be the same story if I suddenly changed things that are so integral to the overall story.

I’ve finally got Word on my newer computer, but decided to go back to Pages for my WIP. I might try again later, but I’ve grown so used to setting up Pages documents. When I C&Ped the one Word chapter back into the master Pages file, there were a bunch of formatting specs that needed fixed. I’ll use Word for new documents, but will keep Pages as my primary word processor.

My older computer uses Word 2003, so I’m quite out of step with the newest version!

Have you ever had late-coming doubts about a story? Would you be more forgiving of shortcomings in a book if you knew the author had written it at a very young age? Have you had difficulties adjusting to different word processors?

IWSG—2019 goals

InsecureWritersSupportGroup
Today is the first Insecure Writer’s Support Group meeting of 2019. The IWSG virtually meets the first Wednesday of each month, and gives participants a chance to share struggles, triumphs, quandaries, and fears.

For 2019, my writing goals include:

Finishing A Dream Deferred: Lyuba and Ivan at University, my fourth book with my Russian characters. So far, Part II is coming along much faster than Part I did (not least because I haven’t taken any long hiatuses!). It’s set from September 1948–November 1952 in the Minnesota Twin Cities and Duluth areas, NYC, San Francisco/Berkeley, Toronto/Guelph, Hiroshima, Nagasaki, and Tokyo.

Do final polishings of and finally release the books formerly known as The Very First and The Very Next, the chronological first of my Atlantic City books, set in 1938 and 1939. Part II of the second book also includes chapters in Poland, Paris, and Portugal.

Possibly get back to work on my radical rewrite and restructuring of the book formerly known as The Very Last, set in 1940.

Make preliminary chapter-by-chapter notes for and begin writing my fifth Russian historical, From a Nightmare to a Dream: Out of Stalin’s Shadow, set from March 1953–sometime in 1956. I just came up with a great third major storyline, with the four characters serving with the Navy in the Korean War.

Blogging goals include:

Getting back to doing more writing guides, with topics including:

Writing about Birkat HaChamah (the blessing of the Sun which takes place every 28 years, and which served as the title of a short sci-fi story I wrote)

How much of your real life to incorporate into fiction

When and how to use wraparound narrative segments

When you should split a deliberately saga-length book into multiple volumes (not to be confused with turning it into entirely separate books)

Breeching for boys and long pants for young men in hist-fic

Dealing with accurate lifespans in hist-fic

Writing about the Vietnam draft lottery

I’ll also be doing more book reviews, and continuing to feature films and albums celebrating a landmark anniversary. I haven’t put this year’s list together yet, but I know it’ll include Tommy (1969), Gone with the Wind (1939), The Wizard of Oz (1939), Abbey Road (1969), The Cocoanuts (1929), A Hard Day’s Night (1964), and White Heat (1949).

Another blogging focus for this year will be resuming my long-running “A Primer on __________________ Names” series, with languages including Armenian, Italian, Greek, Aragonese, Basque, and Anglicization of immigrants’ names. When I’m positive I’m finally finished with this series, I’ll publish it in book form, with expanded commentary and lists.

On a non-writing note, I’d like to be down to 150 pounds by the end of this year. At the start of June 2017, I was close to 220 pounds on a frame just under five feet two inches in bare feet, and within spitting distance of being classified morbidly obese. As of December 2018, I’d gotten down to 164, only a few pounds away from merely being considered overweight.

With my body type, it’s laughable to think I could shrink down to 137, what the BMI claims is the highest “healthy” weight for my height, but I’ll settle for 150. I feel so much healthier after losing over 50 pounds!

P.S.: All my e-books are on sale for 99 cents at Amazon and Nook through 5 January! You can find the buy links here.

2018 in review

From 31 December–5 January, all my e-books are on sale for 99 cents at Amazon and B&N! You can find the links here.

Though I always feel I could’ve done better, I’m quite happy to have finally had a six-figure NaNo. I’ve hit over 100K in so many non-NaNo months, but that wordcount always eluded me when it most counted. I’m a realistic overachiever, not a humble-bragger trying to win on Day One or aiming for a million words.

I finally finished Part I of A Dream Deferred, at 484K. So far, Part II is up to 172K, and I’m on Chapter 75, up to late August 1950. So far, I’m hopeful the first draft of Part II will be shorter than Part I.

Part II contains five chapters set in Japan (in full or part), as radical Katrin investigates the true aftermath of the bombing of Hiroshima and Nagasaki, and overall life under American occupation. As emotionally difficult as it is to research this aspect of Japanese history (possibly the most difficult subject I’ve ever researched, of all the macabre, depressing things I’ve chosen to write about), I loved the chance to finally use a Japanese setting.

Someday, I plan to write a few Japanese historicals, at least one set in the Heian era (794–1185, the last era of classical Japanese history). I’ve been a Nipponophile since age 14, the more traditional type (i.e., interested in history, language, culture, and religion instead of modern pop culture).

At the end of January, I finished the final draft of the book formerly known as The Very First (after believing for years it already ended where it needed to). I’m glad I added in two more chapters and an Epilogue. In 2019, after final polishing, I plan to release both it and the book formerly known as The Very Next.

I can’t wait to finally reveal their new and improved titles! I also came up with a better title for the book formerly known as The Very Last, inspired by a line in a Charlie Chaplin talkie.

I released my alternative history 17 July, on my protagonist’s real-life 100th death anniversary. I knew I should’ve gone back to it at least several months earlier, to avoid that mad race to the finish line by the deadline, which included final edits. I was embarrassed to catch a number of little errors post-publication (obviously corrected immediately). Never again!

From formatting four books for physical copies, I also learnt a very important lesson about inside margins based on page count and trim size. I only saw them onscreen, not in print, and so didn’t realise 0.7″ is on the tight side for 6×9, esp. with a high page count. I’ll be redoing Little Ragdoll with one-inch inside margins.

I also learnt about the importance of double-checking the left and right headers are correct! Odd pages (including the first page of any book) are always on the right, and evens are always on the left.

I released my second Russian historical on 6 September, after having it finished for years. It just needed one final polishing. I also released Journey Through a Dark Forest, the third book with my Russian characters, on 11 December, in four volumes.

Additionally, I designed a new and improved cover for my first Russian historical. It was a big mistake to use my own artwork for the original 2014 cover, though those were probably the best human figures I ever drew! I also made some changes to the text, for a fourth edition.

In 2018, my Top 10 most-viewed posts were:

“A primer on Russian names” (2,901 views)
“No, I will not get sucked into the cult of Arbonne!” (1,899 views)
“Favorite Decameron stories, Part I” (1,438 views)
“Writing an arm amputee character” (1,226 views)
“The importance of stylistic consistency” (769 views)
“Why I HATED The Book Thief (644 views)
“A primer on Tatar names” (596 views)
“A primer on Yiddish names” (590 views)
“A primer on Albanian names” (496 views)
“A primer on Occitan names” (422 views)

The first four posts are also my most-viewed posts of all time, to date. It’s not even close between the first two, 41,553 to 7,415. I still want nothing to do with Arbonne or any other MLMs!

IWSG—Another month of exhaustion

InsecureWritersSupportGroup

The Insecure Writer’s Support Group meets the first Wednesday of each month. Participants share struggles, triumphs, quandaries, and fears. This month’s question is:

What publishing path are you considering/did you take, and why?

I was pursuing traditional publication in 2000–01, and again from 2011–14. Everything I’d read said all writers needed agents, and I took part in so many contests, pitchfests, and events like Gearing Up to Get an Agent and the Platform-Building Campaign.

Gradually, I came to realise I needed to be the mistress of my own destiny. I’ve nothing against the many writers who’ve chosen traditional publishing, but I personally like having total creative control. Most of my books, apart from my Atlantic City books, are also deliberately saga-length, with ensemble casts. I didn’t want to sit around waiting for 5–10 years to prove myself worthy of releasing a very long book.

I also don’t like the idea of waiting up to two years (or more) for a book to be published, after finding an agent. I enjoy setting my own release dates, and coinciding them with important dates to my characters.

After spending nearly an entire month checking four e-proofs and correcting a few stray typos and errors I caught, I went through my first Russian historical to create the fourth edition I’d wanted to work on for a long time. I also finally put my other books onto Nook and Kobo.

I also added a glossary and a “The Story Behind the Story” for And the Lark Arose from Sullen Earth, about both my volumes with Jakob and Rachel. I’ve always considered it one story in two books, though I still agree with my decision to make the final year of the story into its own book. The focus of each is so different.

Then I went back to The Twelfth Time, the sequel to Swan, for a long, long-overdue final polishing. Its first draft was 406K, and I’d taken it down to 398K the last time I worked on it. I’m proud to have gotten it down to a more manageable 390K, plus about 4K of front and back matter. Does anyone expect a Russian novel to be short?!

The Twelfth Time releases on 6 September, Lyuba and Ivan’s wedding anniversary. They chose that date because it was the date they finally became lovers, and conceived their first blood child together. I wrote that book in 2011, and began editing it in 2014. I shouldn’t have been sitting on it for nearly this long!

I also love the Russian Land typeface I found (which is free for commercial use). It’s based on the Old Church Slavonic alphabet, the precursor to modern Cyrillic. This typeface is far more suitable for the mood and style of these books than the fancy types I was playing with prior, like Chopin, Lucien Schoenschrift, Tangerine, and Exmouth.

I immediately got to work on the final polishing of Journey Through a Dark Forest, which I’m hoping to finally release either late this year or sometime next year. All this rereading is really making me eager to finally go back full-time to my fourth Russian historical, and the remaining seven books in my epic series, which I’ve named The Ballad of Lyuba and Ivan.

I also finally put together a page with links to all my current author pages and books. Planned future releases are also listed. I have no one to blame but myself for my previous failure at marketing myself.

Anything exciting going on in your writing and publishing life lately?