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Released 26 September 1969, Abbey Road was The Beatles’ last studio album in terms of when it was recorded. Though the painfully spotty Let It Be was released in May 1970, the bulk of it was recorded before AR.
This would’ve been the perfect swan song to go out on. The album is absolutely brilliant, lightyears away from LIB. Though some people complain about all the song snippets on Side Two, they work perfectly in the musical context. Without all these miniature songs blending in and out of one another, it wouldn’t be the same album.
Recording began 22 February 1969, with producer George Martin agreeing to work with the band again on strict condition they let him produce it “the way we used to do it.” They also had to promise to adhere to a reasonable measure of discipline and behave themselves properly.
It seemed an impossible proposition after the acrimonious mood during the recording of their previous two albums, but in spite of continuing interpersonal tensions, it was a much more enjoyable experience all around.
The resulting album was a compromise between two schools of style. John wanted a traditional album with distinct, unrelated songs, while Paul and George Martin wanted a running theme like they’d done on the most overrated album of all time. Side One follows John’s style, while Side Two famously adheres to the latter vision.
John, never one to mince words, wasn’t exactly fond of the resulting product. He would’ve preferred his songs on one side and Paul’s on the other, and lit into Paul’s lightweight “Maxwell’s Silver Hammer” as granny music. As for Side Two, John thought the medleys were “junk…just bits of songs thrown together.”
The band did little to promote AR, though it shot to #1 regardless, in the U.K., the U.S., Australia, Canada, The Netherlands, Japan, Norway, Sweden, Spain, and West Germany. Over the last fifty years, critics have by and large highly praised it. It’s in my own Top 5 of fave Beatles’ albums.
“Come Together” (#1 in the U.S., #4 in the U.K.)
“Something” (#1 in the U.S., Australia, West Germany, Canada, and New Zealand; #2 in Norway; #3 in Ireland; #4 in the U.K.; #5 in Sweden; #11 in Austria)
“Maxwell’s Silver Hammer”
“I Want You (She’s So Heavy)” (recorded the last time all four Beatles were in the studio together, and a forerunner to doom metal)
“Here Comes the Sun”
“Because” (Beethoven’s Moonlight Sonata played backwards)
“You Never Give Me Your Money” (first of the mini-songs)
“Mean Mr. Mustard”
“She Came in Through the Bathroom Window”
“Golden Slumbers” (a poem from Thomas Dekker’s play Patient Grissel, written 1599 and published 1603)
“Carry That Weight”
“Your Majesty” (an ultra-short snippet after fourteen seconds of silence)
My fave tracks are “I Want You” (which wasn’t so popular originally), “Something,” “Here Comes the Sun,” and “The End.” I love the emotionally expectant mood of the final few songs (not counting hidden track “Your Majesty”), this tension building and building till the most perfect, bittersweet swan song ever.