Welcome back to Weekend Writing Warriors and Snippet Sunday, weekly Sunday hops where writers share 8–10 sentences from a book or WIP. The rules have now been relaxed to allow a few more sentences if merited, so long as they’re clearly indicated, to avoid the creative punctuation many of us have used to stay within the limit.
I’m currently sharing snippets from my alternative history about Dante and Beatrice. It’s now June 1288, and Beatrice has finally recovered from a very serious illness she contracted in December and a terrible beating her husband gave her before sailing to Cyprus on business.
Her healing was significantly complicated by pregnancy, which went unconfirmed until about the fifth month. She’s now in labor, assisted by three midwives, her mother, and her sisters.
I released Beatrice’s hands and retreated to the hall, where I commenced reciting Psalms and the most appropriate prayers and Biblical passages I could think of. These holy words were constantly punctuated by howls, moans, whimpers, heavy breathing, grunting, and panting. Every time Beatrice uttered one of these fraught vocalizations, I wanted to run back into that room and hold her hands. Instead I had to trust these midwives sight unseen.
I desperately tried to force away the nightmare images of Gemma lying unnaturally still on the blood-soaked bed, her face so grey and her lips turning blue, and the twisted, broken body of our little boy in the basin, his skin bright red, his mouth dark purple, his face frozen in a silent scream. Then my mind raced on to some of the disturbing accounts I’d read about in medical books, stuck babies removed piece by piece with hooks, women cut open with knives, babies with cords wrapped multiple times around their necks, midwives yanking too hard and breaking the babies’ bones.
An entire twenty-four hours came and went, and then another twenty-four hours. I ate and drank nothing but stale bread and water, and slept sitting on the floor, leaning against the wall. It was nearly impossible to fall asleep with so much noise and my mind in a state of so much terror, but God blessed me with a few hours of dreamless half-sleep on each of those two days. Monna Lapa was shameless enough to walk back and forth in front of the door, loudly cursing the Portinaris.
The ten lines end here. A few more follow to finish the scene.
Fifty-six hours after Beatrice’s ordeal began, Monna Gherardesca came into the hall and put her hand on my right arm, her face white. “I’m very sorry to have to tell you this, but the baby is at the wrong angle, and it refuses to turn. The baby also feels unusually large, too large for Bice to push out even if she hadn’t lost so much strength. Would you like to say goodbye to her before we perform the Caesarian operation? Believe me, this is only something we do when the mother has no hope of survival.”
All the blood rushed out of my head into the rest of my body, and my vision became cloudy. I walked on wobbly legs into the room, reeling back and forth. A wave of nausea was next to join the other signs of an approaching fainting spell. Somehow, by the grace of God, I managed to make it to the head of the bed and dropped onto my knees just in time. I closed my eyes to stave off the dizziness.
“You’re not cutting Bice open. I lost my wife to childbirth seven months ago, and the baby didn’t survive either. Under no circumstances will you take a knife to my dear friend unless she’s already dead or has no hope of living.” My voice became shakier and more desperate. “She’s been ill for the last six months, and always lived to see the next day even when it seemed she was about to enter the eternal kingdom. You must believe Bice hasn’t yet seen her final hour.”
Monna Sapienza stepped forward. “I still believe a Caesarian operation is the best possible course, but there’s the unfortunate possibility the baby is already dead. If I can determine there’s a lack of vital signs, there’s another procedure I can perform instead. Be warned, it’s very gruesome.”