Image used solely to illustrate the subject for the purposes of an album review, and thus consistent with Fair Use Doctrine
This year, I wanted to spotlight 1993’s The Wedding Album for Duran Duran Appreciation Day. Though it’s actually the band’s second of two eponymous albums, fans widely refer to it as The Wedding Album. Its nickname comes from Nick Egan’s cover art, wedding photographs of the then-four bandmembers’ parents.
Released 11 February 1993 (when I was in seventh grade), this was the band’s seventh studio album and a giant comeback after flagging success. Unfortunately, they didn’t choose the best followup to sustain this great momentum.
The album was recorded and edited from 1991–92, though the band’s new management company, Left Bank, pulled from its release schedule due to less than positive perceived public response. The music industry derided Left Bank for trying to revive the careers of several musical acts seen as outdated. As always, they cared more about the next hot act instead of performers who’d been around past an arbitrary expiration date.
But when this album was released, the music industry had to eat its words. It was #4 in the U.K., #7 in the U.S., #6 in Italy, #8 in Canada, #18 in Finland, #20 in Australia, #21 in Sweden, #22 in Germany, #23 in The Netherlands, and #32 in New Zealand. It was certified Gold in the U.K., and Platinum in the U.S.
Additionally, the album yielded two big hit singles, and a third lesser hit.
This is the track listing:
“Too Much Information” (#35 in the U.K.; #45 in the U.S.; #43 in Canada; #48 in New Zealand)
“Ordinary World” (#1 in Canada; #2 in Italy; #3 in Ireland, the U.S., and New Zealand; #16 in Germany and The Netherlands; #18 in Australia and Finland; #20 in Belgium)
“Come Undone” (the song and music video that flipped the switch and made me into a Duranie on Valentine’s Day 2011!) (#2 in Canada; #6 in Italy; #7 in the U.S.; #9 in Ireland; #13 in the U.K.; #16 in New Zealand; #19 in Finland and Australia; #42 in Belgium and Germany)
“Breath After Breath”
“U.M.F.” (stands for “Ultimate Mind-Fuck”)
“Femme Fatale” (originally done by The Velvet Underground and written by Lou Reed)
“None of the Above”
“To Whom It May Concern”
“Sin of the City” (about the Happy Land nightclub fire of 25 March 1990 in the Bronx; mistakenly gives the death toll as 89 instead of 87)
It took a couple of listens for me to get fully into this album, but I slowly but surely came to really love it. However, some fans aren’t wild about the experimental tracks “Shotgun” and “Drowning Man,” and others feel the last few songs aren’t as strong as the earlier ones. I kind of agree with that criticism, but the album has such strong material, it helps to cancel out the weaker links.
My favourites are “Too Much Information,” “Breath After Breath,” “Sin of the City” (which I’ve heard as the soundtrack to at least one dream), and, of course, “Come Undone,” the song that made me come undone.