My second edition edits for The Twelfth Time were even less extensive than the ones for Journey Through a Dark Forest, but noteworthy enough to make mention of. Most, however, entailed tightening kerning to remove unsightly gaps, or slightly rephrasing things or removing words when kerning tightening failed. A few times, I also excised lines that suddenly came across as overly wordy or unnecessary.
1. A contradictory line from Rostislav, shortly after he and Lyolya arrive in San Francisco, about never seeing a moving picture or automobile in person, then pondering whether any of his fave actors are still making films. WHAT! Perhaps I intended it to mean actors he liked reading about and seeing photos of in newspapers, but that still seems off. I changed it to Lyolya wondering this.
2. Again, more accurate descriptions of housing. E.g., Lyuba’s mother and stepfather move to a four-story townhouse (which is still humble by townhouse standards); Boris lives in a two-story former carriage house; Alla and Daniil live in a three-story (including the garden level) mews house on a private lane. Despite seeing many photos of NYC houses, I nevertheless persisted in a mental image of shrunken-down bungalows or detached houses!
3. Adding a few lines to say Lyuba and Katrin’s bank has the very progressive, highly unusual policy of letting women do business without a man’s permission or co-signature.
4. For the first time, going into more detail about Katrin’s building. She and most of her friends always use the service entrance and lift, eschewing the grand courtyard and lobby on the other side. The building is called The Fourier, after esteemed Utopian Socialist Charles Fourier, and a very early cooperative. Very rarely for the era, the manager lets women buy apartments without a male co-signature.
Though there are many luxury units, there are also apartments for normal people. Even the rich residents are the type rejected by the UES, and many other UWS luxury buildings—Blacks, Jews, Catholics, nouveau riche, political radicals, atheists, Asians, Eastern and Southern Europeans, women living alone.
5. After Katrin invites Lyuba to attend her weekly Socialist meetings in the penthouse, Viktoriya extends an additional invitation to the daily discussions and film screenings on the first and second floors. The lobby has schedules of the many community events.
6. When Naina and Katya arrive at the penthouse, Katrin says there are amenities like a pool, restaurants, and a hairdressing salon, which she rarely takes advantage of but which they’re welcome to explore while her family’s away at Matryona’s wedding tomorrow.
7. Replacing references to scholarships and tuition at Hunter College and Soviet universities to gratitude they’re free. Marvellously, CUNY schools were free until the city very narrowly escaped bankruptcy in the 1970s, and the USSR’s constitution guaranteed free education. However, I did retain the detail of six of Inessa’s cousins being at a private Communist boarding school which her uncle hasn’t enough money to send all of his kids to. There were a rare few Soviet schools which cost money, which doubtless would’ve included a fancy private academy.
8. Since coming to the realisation it was a mistake for the Konevs to leave NY for rural Minnesota, I added in a few lines here and there making it even more obvious this isn’t who they, or their closest friends, really are. Katrin says she would’ve recommended getting their feet wet with small-scale farming first, and then, if they truly liked it, moving to a more rural area locally. Not blindly committing themselves to something they’ve never done before, a thousand miles away.
9. Katya’s big stuffed parrot is now named Pesto.
10. Fixing the grades Inessa’s youngest cousins and little adoptive sister Valentina are in. For some reason, I had them a year ahead of the grades lining up with their birthdays.