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The Who’s third album, released 15 December 1967, came into my own life on 6 December 2000, and is one of my absolute favorites of theirs. They always had a new sound and themes with each album, in spite of the so-called fans who rant and rave about how they dared not do Who’s Next for their entire career.
This, unlike the most overrated album of all time, is a shining example of a consistent concept album. While the concept kind of fizzles out in the middle of the original album, it’s unique and cohesive. The CD remastering improves the concept’s flow.
Sell Out is a spoof of Radio London, a pirate radio station which operated from 23 December 1964–14 August 1967, from a ship anchored in the North Sea. In addition to songs advertising real products, there are also little jingles running between the songs.
The album ended with an instrumental version of a Track Records ad in a locked groove. The CD remastering changed it to a vocal jingle.
Track listing and lead vocals, with stars by bonus tracks:
“Armenia City in the Sky” (using the pronunciation Ar-men-EE-yah, not Ar-MEEN-ee-yah) (written by Speedy Keen and sung by Roger)
“Heinz Baked Beans” (John)
“Mary Anne with the Shaky Hand” (Roger and Pete)
“Our Love Was” (Pete)
“I Can See for Miles” (Roger)
“I Can’t Reach You” (Pete)
“Silas Stingy” (John)
“Rael” (Roger) (the name of my sixth journal)
“Rael 2” (Pete)*
“Glittering Girl” (Pete)*
“Melancholia” (Pete; famously previously released on Scoop, with the hilarious commentary, “I’m pretty sure The Who never heard this one”)*
“Someone’s Coming” (written by John but sung by Roger)*
“Jaguar” (written by Pete but sung by Keith)*
“Early Morning Cold Taxi” (written and sung by Roger)*
“In the Hall of the Mountain King” (instrumental; written by Edvard Grief)*
“Girl’s Eyes” (Keith)*
“Mary Anne with the Shaky Hand” (U.S. Mirasound version)*
“Glow Girl” (Roger and Pete)*
The album reached #13 in the U.K., and #48 in the U.S. “I Can See for Miles” reached #10 in the U.K., and #9 in the U.S. This was their only Top 10 song in the U.S., and the first Who song I was consciously aware of hearing, back in ’93. Since they were an active band till I was three, I probably heard them on the radio, but “ICSFM” was the first I specifically remember hearing.
My favorite songs are “ICSFM,” “Sunrise” (which a lot of guy fans hate and bash), “Our Love Was,” “I Can’t Reach You,” “Rael,” “Rael 2,” “Glow Girl,” “Tattoo,” and “Silas Stingy.”
Back in the days of Yahoogroups, the main estrogen Who list was called Glow Girls. It contains the genesis of Tommy, with the music that became “Sparks” and “Underture,” and the outro verse “It’s a girl, Mrs. Walker, it’s a girl,” as the girl in the song dies in a horrific plane crash and is reincarnated. “[O]nly of course Tommy was a dear little boy.”
Many people have seen parallels between “Rael” and Israel, both because 1967 was the year of the Six-Day War, and lines like:
“My heritage is threatened/My roots are torn and cornered”
“Rael, the home of my religion/To me the centre of the Earth”
“The country of my fathers/A proud land of old order/Like a goldfish being swallowed by a whale”
The album has received many positive reviews, both then and now, and is widely considered one of The Who’s very best. Interestingly, Roger only sang lead on five of the original tracks, the same number as Pete. Roger still didn’t have the greatest range or vocal confidence yet. Touring Tommy all over the world was what turned him into a vocal powerhouse.
I highly recommend this album!