Happy Duran Duran Appreciation Day!—Celebrating my fave songs

To mark DDAD 2019, I decided to showcase ten of my favourite songs. One of the many reasons I’ve been a Duranie for almost eight and a half years is because of the wonderful lyrics. So many of their songs are like poetry.

1: “The Seventh Stranger,” last track on Seven and the Ragged Tiger (1983). Where to start! Every line is like pure poetry. I’ve used the line “like splinters of ice” in my own writing, and titled a chapter “Trading in His Shelter for Danger.”

2: “Secret Oktober,” B-side of “Union of the Snake” (1983). It’s like an avant-garde, surrealistic poem. I really want to use some of the lines as part of chapter titles.

3: “My Antarctica,” sixth track on Liberty (1991). While Liberty is one of the worst albums I’ve ever heard (even worse than Extra Texture), this is one of two standout gems. So romantic! I titled one chapter “Heat Beneath His Winter.”

4: “Lonely in Your Nightmare,” third track on Rio (1982). It’s so beautiful and romantic. I have a chapter entitled “Lonely in Their Nightmares,” and called the first part of a book “Angry in His Nightmare.”

5: “Perfect Day,” third track on Thank You (1995), an album of covers. This was originally a Lou Reed song, and one of the album’s standouts. It reached #28 in the U.K. Lou said, “I think Duran Duran’s version of ‘Perfect Day’ is possibly the best rerecording of a song of mine. I’m not sure that I sang it as well as Simon sang it. I think he sings it better than I. If I could’ve sung it the way he did, I would’ve. It wasn’t from lack of trying.”

6: “To the Shore,” fourth track on their eponymous début (1981). More beautiful surrealistic poetry! It’s a shame this lovely song was left off the U.S. repackaging of their first album, replaced with the single “Is There Something I Should Know?”

7: “Out of My Mind,” fourth track on Medazzaland (1997). The video is so deliciously macabre, making the lyrics even better and taking them in such a wonderfully dark direction. It reached #21 in the U.K. and #14 in Italy.

8: “Beautiful Colours,” recorded 2005 but not officially released on an album or as a single. I love the line “Life isn’t standard-issue, it’s customised.” I’ve used riffs on that line a number of times in my writing.

9: “Palomino,” seventh track on Big Thing (1988). Absolutely gorgeous, lush poetry!

10: “Come Undone,” sixth track on The Wedding Album (1993). Officially, it’s their second eponymous album, but just about everyone calls it The Wedding Album because of the cover art with photos of the bandmembers’ parents’ weddings. The song reached #2 in Canada, #6 in Italy, #7 in the U.S., #9 in Ireland, #13 in the U.K., #16 in New Zealand, #19 in Finland and Australia, and #42 in Belgium and Germany.

This was the song that flipped the switch and made me a Duranie on Valentine’s Day 2011. Someone named it as one of their most romantic songs, and I looked up the video and ended up watching it over and over. This song made me come undone!

Happy 25th birthday to The Wedding Album! (Happy Duran Duran Appreciation Day!)

Image used solely to illustrate the subject for the purposes of an album review, and thus consistent with Fair Use Doctrine

This year, I wanted to spotlight 1993’s The Wedding Album for Duran Duran Appreciation Day. Though it’s actually the band’s second of two eponymous albums, fans widely refer to it as The Wedding Album. Its nickname comes from Nick Egan’s cover art, wedding photographs of the then-four bandmembers’ parents.

Released 11 February 1993 (when I was in seventh grade), this was the band’s seventh studio album and a giant comeback after flagging success. Unfortunately, they didn’t choose the best followup to sustain this great momentum.

The album was recorded and edited from 1991–92, though the band’s new management company, Left Bank, pulled from its release schedule due to less than positive perceived public response. The music industry derided Left Bank for trying to revive the careers of several musical acts seen as outdated. As always, they cared more about the next hot act instead of performers who’d been around past an arbitrary expiration date.

But when this album was released, the music industry had to eat its words. It was #4 in the U.K., #7 in the U.S., #6 in Italy, #8 in Canada, #18 in Finland, #20 in Australia, #21 in Sweden, #22 in Germany, #23 in The Netherlands, and #32 in New Zealand. It was certified Gold in the U.K., and Platinum in the U.S.

Additionally, the album yielded two big hit singles, and a third lesser hit.

This is the track listing:

“Too Much Information” (#35 in the U.K.; #45 in the U.S.; #43 in Canada; #48 in New Zealand)
“Ordinary World” (#1 in Canada; #2 in Italy; #3 in Ireland, the U.S., and New Zealand; #16 in Germany and The Netherlands; #18 in Australia and Finland; #20 in Belgium)
“Love Voodoo”
“Drowning Man”
“Shotgun”
“Come Undone” (the song and music video that flipped the switch and made me into a Duranie on Valentine’s Day 2011!) (#2 in Canada; #6 in Italy; #7 in the U.S.; #9 in Ireland; #13 in the U.K.; #16 in New Zealand; #19 in Finland and Australia; #42 in Belgium and Germany)
“Breath After Breath”
“U.M.F.” (stands for “Ultimate Mind-Fuck”)
“Femme Fatale” (originally done by The Velvet Underground and written by Lou Reed)
“None of the Above”
“Shelter”
“To Whom It May Concern”
“Sin of the City” (about the Happy Land nightclub fire of 25 March 1990 in the Bronx; mistakenly gives the death toll as 89 instead of 87)

It took a couple of listens for me to get fully into this album, but I slowly but surely came to really love it. However, some fans aren’t wild about the experimental tracks “Shotgun” and “Drowning Man,” and others feel the last few songs aren’t as strong as the earlier ones. I kind of agree with that criticism, but the album has such strong material, it helps to cancel out the weaker links.

My favourites are “Too Much Information,” “Breath After Breath,” “Sin of the City” (which I’ve heard as the soundtrack to at least one dream), and, of course, “Come Undone,” the song that made me come undone.

Happy Duran Duran Appreciation Day! (Rio at 35, Part II [Behind the scenes])


“My Own Way” was the very first Rio single to be written and recorded, in October ’81. It was released as a single the next month, in a very different style from the album version. The other eight tracks were recorded in early ’82, produced and engineered by Colin Thurston, at London’s Air Studios.

The massively overplayed “HLTW” was the second single, released 4 May 1982. “Save a Prayer” became the third single on 9 August 1982, and the title track was released as a single on 1 November.

In September 1982, record label EMI released the EP Carnival, featuring the Night Versions (extended dance remixes) of some of the band’s hit singles. The Dutch and Spanish version contained “HLTW,” “Rio,” “Planet Earth,” and “Girls on Film,” while the Canadian and U.S. version had “HLTW,” “Girls on Film,” “Hold Back the Rain,” and “My Own Way.” The Japanese version had “Rio (Part II),” “Hold Back the Rain,” “My Own Way,” “HLTW,” and “New Religion.”

Carnival was very successful, leading Capitol Records to start marketing them as a dance band instead of New Romantics. Seizing the moment, the band compelled Capitol to re-release Rio in the U.S. In November, they got their wishes, and this new version (with the first five tracks re-mixed by David Kershenbaum) went to #6.

The international success of the album and its four singles was due in huge part to the newly-mainstreamed artform of the music video. While music videos had been around for quite a long time, they were typically done only as promotion prior to MTV. They weren’t a carefully-considered artform in the old days.

Who could imagine any Eighties band, artist, or song without the music videos? They’re such a quintessential aspect of my childhood decade. While music videos are still being made (shocking as it is to discover), the modern ones are nothing like the classics from the Eighties.

Music videos were made for the title track, “HLTW,” “Lonely in Your Nightmare,” and “Save a Prayer” in Antigua and Sri Lanka. Also filmed was a very weird music video for “Nightboat,” from their first album.


Warning: Video NSFW or under 18!

A video album was released in 1983, featuring the four singles from Rio, plus album tracks “Lonely in Your Nightmare” and “The Chauffeur.” Also included were four songs from their début album and the March 1983 single “Is There Something I Should Know?”

The album cover was designed by Malcolm Garrett and famously painted by American artist Patrick Nagel, and went on to become one of Nagel’s best-known images. His alternate version of the cover was finally used in 2001 for a limited edition remaster. Most of his works were female figures in a style inspired by Art Déco and initially based off photographs.

Copyright EMI or Patrick Nagel’s estate; used solely to illustrate the subject and consistent with Fair Use doctrine

Rio frequently makes those incessant “best-of” albums lists, for British albums, Eighties albums, and greatest albums of all time. The album has not only remained popular and relevant over the last 35 years, but also influential on many other musicians. It’s not an album anyone could go wrong buying.

Déjà Vu Blogfest—Happy Duran Duran Appreciation Day! (My fandom story)

deja_vu-2016

DL Hammons is once again holding his annual Déjà Vu blogfest, wherein participants revisit a post from the past year which didn’t get the audience one expected, or that one wishes to run again. I chose a post I originally published on 10 August 2016, “Happy Duran Duran Appreciation Day! (My fandom story).”

cropped-80s-albums-banner.jpg

Since taking this photo several years ago, I’ve added the lovely, underrated Big Thing (1988) and the spin-off The Power Station (1985) to my vinyl collection, but I didn’t feel like reshooting this picture!

To mark Duran Duran Appreciation Day (a fan-initiated holiday falling on the anniversary of Simon’s near-drowning experience in 1985), I decided to finally share my story of how I became a fan. It’s hard to believe this year makes it five years since I’ve been a Duranie. My path to fandom wasn’t the typical one, since it happened so many years after their greatest wave of popularity, I wasn’t some screaming teenybopper, and I’ve always most gravitated towards classic rock and pop.

To quote the lesser-known song “Beautiful Colours,” “Life isn’t standard-issue, it’s customised.” Not everyone has the same reasons for joining and staying in a fandom. I also like to discover bands, books, films, actors, writers, etc., long after the heyday has passed. I’m getting into them for my own reasons, not because of massive hype.

I’d actually bought Rio in July 2007, after finding it in the $2 stacks at a Northampton record store which has since gone out of business. At the time, I justified it to myself as indulging my Eighties nostalgia, a guilty pleasure I only had to part with $2 for. I listened to the album a few times, but it didn’t do much for me. It wasn’t the right time for me to become a fan.

IMG_2331

I’m kind of embarrassed to admit this now, but for a long time, I dismissed the band because I thought they were just a bunch of prettyboys who were only around in the Eighties, just some talentless boygroup for mindless teenyboppers. It took awhile for me to realise they’re a real band, and just happened to be heavily marketed to teenyboppers the way my belovèd Monkees were a generation earlier. Real fans stuck around after their heyday, while the fairweather fans moved on to the next big thing pimped by the media.

As some readers might remember, in November 2010, I finally went back to my long-hiatused book Little Ragdoll from scratch and memory. Around this time, I seriously started using YouTube, and began making playlists to listen to while writing. One of those was my Hollies’ playlist, which was my majority soundtrack for writing the book. I also made soundtracks for The Four Seasons, The Monkees, several other bands and artists, and the Eighties.

IMG_2371

 Of course, I searched out several Duran Duran songs for the lattermost playlist, and ended up clicking on a lot of their other recommended videos. As 2010 turned into 2011, I found myself liking and listening to them more and more. I’d “liked” the band’s official Facebook page by early February 2011, since I remember there was a post celebrating the 30th anniversary of “Planet Earth” shortly after I joined.

Then on Valentine’s Day, the page asked about fans’ choices for most romantic songs. A number of people named “Come Undone” as super-romantic and babymaking music, and I looked up the video on YouTube. I ended up watching and listening to it over and over again, hooked. That’s the song that really threw the switch and made me realise I was a real, active fan, not just disinterestedly indulging Eighties nostalgia. I consider Valentine’s Day my anniversary of becoming a Duranie.

During this early period, while watching their videos and listening to their songs, I found myself thinking, “Wow, the blonde dude [Simon] is really handsome!” This was pretty noteworthy for me because I’m almost never physically attracted to blondes. I’ve always been all about the dark hair and eyes, and consider blonde hair and blue eyes a rather boring, cliché look. A guy with those features has to be really, really special for me to pay attention to him.

On 23 March 2011, the band did a YouTube-broadcast concert for American Express, with truly bizarre video work by David Lynch. I was getting more and more into them, and starting to feel really self-conscious about it. That summer, I began writing the first draft of The Twelfth Time, and often listened to them as my writing soundtrack. All the while, I felt weird when I caught myself listening to them too much. I didn’t want to admit to myself I’d become a real fan and fallen in love with them so deeply, since I was afraid of being made fun of.

IMG_0133

Then I remembered, I’ve always cared less when people trash my belovèd Monkees and accuse them of being only for shallow, brainless teenyboppers with poor taste in music. I know the real story behind their origins and evolution, and love their music no matter what. Sometimes good bands get famous really quickly, and are heavily marketed to teenyboppers. As a result, they develop a stigma it can take decades to shake, and many people don’t take them seriously as real bands. Why was I being such a hypocrite about loving a band with a similar story?

I finally admitted to my head what my heart already knew, and no longer felt ashamed or self-conscious about how much of their music I was watching and listening to. Five years later, I’m not embarrassed to admit I sleep under a vintage framed poster of the band or to go out with a vintage button on one of my purse straps. My fave rave is Roger, though my giant stuffed frog is named Simon because I already named my stuffed tiger after my first Roger, the handsome Roger Harry Daltrey.

I’ve used lines from some of their lyrics as inspiration for chapter and part titles in my books, and narrative lines in general. Favourite songs include “The Seventh Stranger,” “Secret Oktober,” “Out of My Mind,” “Lonely in Your Nightmare,” and “To the Shore.” My favourite music video is the long version of “Wild Boys” (so deliciously macabre!)

And, of course, “Come Undone,” the song that made me come undone.

Happy Duran Duran Appreciation Day! (My fandom story)

cropped-80s-albums-banner.jpg

Since taking this photo several years ago, I’ve added the lovely, underrated Big Thing (1988) and the spin-off The Power Station (1985) to my vinyl collection, but I didn’t feel like reshooting this picture!

To mark Duran Duran Appreciation Day (a fan-initiated holiday falling on the anniversary of Simon’s near-drowning experience in 1985), I decided to finally share my story of how I became a fan. It’s hard to believe this year makes it five years since I’ve been a Duranie. My path to fandom wasn’t the typical one, since it happened so many years after their greatest wave of popularity, I wasn’t some screaming teenybopper, and I’ve always most gravitated towards classic rock and pop.

To quote the lesser-known song “Beautiful Colours,” “Life isn’t standard-issue, it’s customised.” Not everyone has the same reasons for joining and staying in a fandom. I also like to discover bands, books, films, actors, writers, etc., long after the heyday has passed. I’m getting into them for my own reasons, not because of massive hype.

I’d actually bought Rio in July 2007, after finding it in the $2 stacks at a Northampton record store which has since gone out of business. At the time, I justified it to myself as indulging my Eighties nostalgia, a guilty pleasure I only had to part with $2 for. I listened to the album a few times, but it didn’t do much for me. It wasn’t the right time for me to become a fan.

IMG_2331

I’m kind of embarrassed to admit this now, but for a long time, I dismissed the band because I thought they were just a bunch of prettyboys who were only around in the Eighties, just some talentless boygroup for mindless teenyboppers. It took awhile for me to realise they’re a real band, and just happened to be heavily marketed to teenyboppers the way my belovèd Monkees were a generation earlier. Real fans stuck around after their heyday, while the fairweather fans moved on to the next big thing pimped by the media.

As some readers might remember, in November 2010, I finally went back to my long-hiatused book Little Ragdoll from scratch and memory. Around this time, I seriously started using YouTube, and began making playlists to listen to while writing. One of those was my Hollies’ playlist, which was my majority soundtrack for writing the book. I also made soundtracks for The Four Seasons, The Monkees, several other bands and artists, and the Eighties.

IMG_2371

 Of course, I searched out several Duran Duran songs for the lattermost playlist, and ended up clicking on a lot of their other recommended videos. As 2010 turned into 2011, I found myself liking and listening to them more and more. I’d “liked” the band’s official Facebook page by early February 2011, since I remember there was a post celebrating the 30th anniversary of “Planet Earth” shortly after I joined.

Then on Valentine’s Day, the page asked about fans’ choices for most romantic songs. A number of people named “Come Undone” as super-romantic and babymaking music, and I looked up the video on YouTube. I ended up watching and listening to it over and over again, hooked. That’s the song that really threw the switch and made me realise I was a real, active fan, not just disinterestedly indulging Eighties nostalgia. I consider Valentine’s Day my anniversary of becoming a Duranie.

During this early period, while watching their videos and listening to their songs, I found myself thinking, “Wow, the blonde dude [Simon] is really handsome!” This was pretty noteworthy for me because I’m almost never physically attracted to blondes. I’ve always been all about the dark hair and eyes, and consider blonde hair and blue eyes a rather boring, cliché look. A guy with those features has to be really, really special for me to pay attention to him.

On 23 March 2011, the band did a YouTube-broadcast concert for American Express, with truly bizarre video work by David Lynch. I was getting more and more into them, and starting to feel really self-conscious about it. That summer, I began writing the first draft of The Twelfth Time, and often listened to them as my writing soundtrack. All the while, I felt weird when I caught myself listening to them too much. I didn’t want to admit to myself I’d become a real fan and fallen in love with them so deeply, since I was afraid of being made fun of.

IMG_0133

Then I remembered, I’ve always cared less when people trash my belovèd Monkees and accuse them of being only for shallow, brainless teenyboppers with poor taste in music. I know the real story behind their origins and evolution, and love their music no matter what. Sometimes good bands get famous really quickly, and are heavily marketed to teenyboppers. As a result, they develop a stigma it can take decades to shake, and many people don’t take them seriously as real bands. Why was I being such a hypocrite about loving a band with a similar story?

I finally admitted to my head what my heart already knew, and no longer felt ashamed or self-conscious about how much of their music I was watching and listening to. Five years later, I’m not embarrassed to admit I sleep under a vintage framed poster of the band or to go out with a vintage button on one of my purse straps. My fave rave is Roger, though my giant stuffed frog is named Simon because I already named my stuffed tiger after my first Roger, the handsome Roger Harry Daltrey.

I’ve used lines from some of their lyrics as inspiration for chapter and part titles in my books, and narrative lines in general. Favourite songs include “The Seventh Stranger,” “Secret Oktober,” “Out of My Mind,” “Lonely in Your Nightmare,” and “To the Shore.” My favourite music video is the long version of “Wild Boys” (so deliciously macabre!)

And, of course, “Come Undone,” the song that made me come undone.