To mark DDAD 2020, I decided to do a Part II of last year’s celebration of my personal Top 10 faves. The songs in the second half of my Top 20 are in no particular order. I can hardly believe Valentine’s Day 2021 will mark ten years since I became a Duranie! Where did all that time go already?
11. “The Edge of America,” eleventh track on Big Thing (1988). So many lovely, deep, thought-provoking lyrics. I particularly love the refrain, “Learn to love your anger now, anger here is all you possess.” This is the kind of political song I like, intelligently and respectfully making a point without angrily, one-sidedly ranting and condemning anyone who doesn’t think that way.
My 34-year-old little brother just disowned me, in a fit of rage, because I support J.K. Rowling and don’t share his toxic woke ideology, so this is a very relevant subject now. So many people, particularly the younger ones, have forgotten, or never learnt, how to have dialogue and state their case without a torrent of insults and ignoring anything that contradicts their ideology.
12. “Do You Believe in Shame?,” sixth track on Big Thing. This tribute to Andy Warhol, record producer Alex Sadkin, and Simon’s childhood friend David Miles has such beautiful, poetic lyrics. The music video is also great.
13. “Last Chance on the Stairway,” seventh track on Rio (1982). Once again, such lovely lyrics, pure poetry in motion. So many people criminally underestimate this wonderful band because of the stigma of throngs of screaming teenyboppers in the Eighties. Some bands who get really popular really quickly and are heavily marketed to teenyboppers have substance below the prettyboy image.
14. “New Religion,” sixth track on Rio. This is a quintessential example of a song with a very long intro done right. There’s over a minute of instrumentation before the first note is sung, but it’s more than worth the wait. It builds anticipation beautifully.
I love the haunting lyrics and vocal tracking. They work so well with the music. The title of my future sixth book with my Russian characters (to be set 1957–64) will be Seagulls Gathered on the Wind, after a line from this song.
15. “Khanada,” B-side of “Careless Memories.” I named my eleventh journal after this song (pronounced Ka-NAY-da, not like the country). The lyrics are like surrealistic poetry, and very evocative of a dream or fairytale.
16. “Serious,” fourth track on Liberty (1990). One of the two standout gems from an awful album that bombed for a reason. Even if the record company had promoted it a lot better, most of the songs are terrible. How did beautiful songs like “Serious” and “My Antarctica” end up among so many bottom of the barrel scrapings!
Warning: Video NSFW or under 18!
17. “The Chauffeur,” final track on Rio. Like “Khanada,” the lyrics are rather trippy and surrealistic, and like poetry in motion. At least twenty other artists have covered it, and it’s been sampled in several other songs. The music video is a prime example of how to be sexy without being smutty.
18. “Breath After Breath,” seventh track on The Wedding Album (1993). I love how part of it is in Portuguese (sung by Milton Nascimento). Romance languages have a natural poetry built into them. Though I’ve never studied Portuguese, either formally or independently, I usually understand a fair amount because it’s so close to Spanish, which I studied for seven years.
19. “Too Much Information,” first track on The Wedding Album. The message about a constant barrage of capitalist advertising and over-commercialized music industry is still relevant over 25 years later.
20. “Tel Aviv” with lyrics, bonus track on their eponymous début (1981). The instrumental version is the final track on the album, but this powerful song somehow went unreleased for 30 years. Though I want to live in the Lower Galilee (preferably Tiberias, right on the lake) when I make aliyah, Tel Aviv is also awesome. Hearing this song makes me wish I could visit Israel again soon!