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Released 15 June 1993, Psychoderelict is, to date, Pete’s final studio solo album. Though he’s since released a number of other albums, they’re all compilations and live shows instead of new material. Most critics hated this album, though loyal fans have always held it as a criminally underrated masterpiece.
Many casual listeners also hated the radio play structure, with dialogues placed between songs and linking them together. To placate these whiners, Pete released a music-only version. That still wasn’t good enough for the unwashed masses, and sales continued to be poor.
Psychoderelict tells the story of washed-up Sixties rocker Raymond Highsmith (Ray High), who hasn’t had a hit in ages and is now an alcoholic recluse running out of money. His manager Rastus Knight is on his tail to produce something, anything, new, but Ray is convinced the public will hate it.
Ruth Streeting, a radio music critic whom Ray hates, comes up with a very dangerous plan to lure Ray out of retirement and into making new music. Rastus is delighted to hear this, and says they could shift millions if Ruth is successful. He’ll also cut her in on the deal.
Ray receives a letter from 14-year-old aspiring singer Rosalind Nathan, along with a naked photo of her on her mother’s grave. That definitely piques his interest, and he begins a penpal correspondence with her. Ray feels Rosalind is a kindred spirit, since “we both share complicated problems.”
He promises to tell her the secrets of stardom, so long as Rosalind doesn’t tell anyone what he says in his letters. In addition to very personal letters, Ray also sends her a tape of “Flame,” a song he wrote for his secret Gridlife project, telling Rosalind to prove her singing skills by recording it.
Scandal erupts when Ruth airs “the porno penpal story” and excoriates Ray as a nasty slimeball who took advantage of a trusting young girl who opened her heart to him and trusted him. She accuses Ray of soliciting the naked photo and using Rosalind “to test out his weird theories.”
However, the public isn’t that morally outraged, since Ray’s record sales immediately begin surging upon his catalogue’s rerelease. Rosalind’s début album, produced by Ruth, also becomes a huge hit.
Instead of being thrilled at his replenished fortune and being “back in calculator country,” Ray is outraged at Ruth for her role in the situation. When he goes to confront her, he discovers she’s having an affair with Rastus.
Will there be a happy ending to this story? And will Rosalind ever make an appearance?
Track listing (with dialogues running between all songs):
“Meher Baba M3”
“Let’s Get Pretentious”
“Meher Baba M4 (Signal Box)”
“Early Morning Dreams”
“I Want That Thing”
Dialogue introduction to “Outlive the Dinosaur”
“Outlive the Dinosaur”
“Flame” (demo version)
“Now and Then”
“I Am Afraid”
“Don’t Try to Make Me Real”
Dialogue introduction to “Predictable”
“Flame” (written by Pete’s baby brother Simon, a talented musician in his own right)
“Meher Baba M5 (Vivaldi)”
Dialogue introduction to “Now and Then (Reprise)”
“Baba O’Riley” (demo)
“English Boy (Reprise)”
In 2006, the album was reissued with bonus tracks “Psychomontage,” “English Boy” (long intro), “Early Morning Dreams” (demo; alternate vocal), “Uneasy Street,” and “There Is No Message in a Broken Heart.”
I’ve loved this album since I first listened to it in February 2002. I was so excited to see it in the used CD section of Mystery Train Records! My fave tracks are “Now and Then,” “English Boy,” “Predictable,” “Don’t Try to Make Me Real,” and “Fake It.”
The dialogues have so many awesome lines, like:
“Rumour has it the sad old lush can’t do it anymore. I mean make records.”
“Only four nipples? Poor underprivileged kid.”
“That’s all it was, my life on the road, prostitution.”
“That cow wrote that I’m ugly.”
“Well, you are ugly.”
“If you must be introspective, at least do it in public.”
“Remember, you don’t have to bury the past or the pain. You can use it.”
“It’s her job to hate your guts. She’s a journalist.”
“Insecurity is the principle driving force we performers share.”
“Her disgust is the most powerful motivator of the artist in me.”
“Although Ray High’s albums have been rereleased this week, decent, normal people will be more interested in young Rosalind.”
“I can’t wait to see Ray’s face.”
“Well, I can’t wait to see Rosalind’s fucking face.”
“Careful what you’ll say, I’ll print it.”
“I don’t give a smorgasbord about that load of old bollocks you churn out.”
Longtime fans will recognise a lot of Pete’s own life in the story of Ray High, including the parallels between his magnum opus Lifehouse and Ray’s Gridlife. Eerily, there also ended up being parallels with “the porno penpal story” when Pete (along with thousands of other innocent people) was falsely accused of the unthinkable during the severely mishandled Operation Ore in 2003.
Since this album bombed so badly, Pete decided not to make any new albums. Ironically, many people have since pestered him for something new besides compilations. What did they expect would happen after panning so many of his solo albums as pretentious and not commercial enough!
Read more in Pete’s own words