How not to write a parody

Egads, what an absolutely terrible book! Little wonder Ms. Randall was sued for copyright infringement. As a result of that settled lawsuit, all copies now have to bear a label marking it as unauthorised parody. Publishing house Houghton Mifflin also had to make a contribution to Morehouse College, a historically Black college supported by Margaret Mitchell’s estate.

I love the idea of GWTW from the slaves’ POV. In fact, Ms. Mitchell’s estate did too, seeing as they gave Donald McCaig permission to write Ruth’s Journey about Mammy. But Ms. Randall’s book falls flat for so many reasons, not just because she wrote it without permission.

And why might that be?

1. Way too short! While GWTW is over 1,000 pages, TWDG is all of 208 pages, slightly under 6×9, and with rather wide margins on all sides. Unless a story is set over a very short timeframe, hist-fic is not a genre that lends itself well to brevity. That leads to underdeveloped, shallow, rushed stories.

2. Too much rambling on the way to getting to an actual plot.

3. Diary format is a really bad gimmick that doesn’t work here. While I love epistolary novels, this wasn’t a story crying out for such a style. It doesn’t even read like a real diary!

4. Impossible to make heads or tails of anything unless you’ve read GWTW. Characters are dumped on the page with the presumption the reader knows who they are. There’s a huge happy medium between the infamous Chapter Two of The Babysitters’ Club and dumping characters on the page with no context!

5. Speaking of, everyone but Mammy has a stupid alternative name. E.g., Scarlett is Other, Ashley is Dreamy Gentleman, Pork is Garlic, Mr. O’Hara is Planter, Belle is Beauty, Melanie is Mealy Mouth, Rhett is R, Mrs. O’Hara is Lady. Even the plantations have new names. Tara is Cotton Farm and Tata; Twelve Oaks is Twelve Slaves Strong as Trees.

6. Radically changing established characters. Ashley is gay and had an affair with Prissy’s brother (whom Melanie had whipped to death); Mammy and Prissy are murderers; Belle is a lesbian; the O’Haras had a loveless marriage; Pork is a criminal mastermind and murderer; Rhett is absolutely nothing like his alpha male self and has a breastfeeding fetish.

7. Killing off both Mammy and Scarlett. Yeah, those are convenient plot developments! As awful as when Mammy was killed off very early in Alexandra Ripley’s Scarlett.

8. Awful, juvenile, embarrassing prose. The sex scenes were also very cringey.

9. A lot of inconsistency in language. Either your narrator speaks vernacular or proper English. She can’t do both at once.

10. Inconsistency in tense. I feel very strongly writers need a LOT of practice writing the classic default of past tense before trying present. It’s very hard to pull off well if you don’t know what you’re doing and haven’t a feel for whether it’s a natural fit for a particular story.

11. Cynara has no personality. She blandly recounts events in a very stream-of-consciousness, nonlinear style. Third-person is the default POV for a reason, particularly with a large ensemble cast. Not nearly as many stories need to be in first-person as their authors believe.

12. Way too much telling! I can’t be emotionally pulled into a story that’s little more than “This happened. Then that happened. Name said this. Name did that. This happened twenty years ago.” Give us active scenes, not dull summaries of events!

13. Chapters are so short and underdeveloped! This ain’t the kind of story where fragments work well.

14. Cynara is a total Mary Sue. Enough said.

Again, I love the idea of a GWTW spinoff told from the slaves’ POV, esp. with the twist of the protagonist being Scarlett’s secret halfsister. However, this story would’ve been so much better if it were told concurrently to GWTW, not after the fact. I also would’ve preferred Cynara to have her own character arc, not just be a Black version of Scarlett, right down to having an affair with Rhett since age fifteen.

A good retelling, parody, fanfiction, or spinoff should put the author’s unique spin on that world, not radically alter established characters. TWDG does absolutely none of that. This is pure garbage, little more than a poorly-written, huge middle finger to fans of the original novel. All the characters come across as terrible people, and the paper-thin plot is unrealistic soap opera-esque garbage.

I recommend avoiding this steaming pile of disjointed garbage.