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Released September 1992 by Curb Records, Hope + Glory was The Four Seasons’ final studio album, and unfortunately failed on every level. Just to start with, the cover makes it look like a New Age record!
As always, songwriter Bob Gaudio’s strategy was to keenly listen to popular sounds of the day and translate that into a winning album full of hits for his band. This was a winning strategy for most of the Sixties, and while it was hit-or-miss during the Seventies, it nevertheless resulted in possibly the band’s best work.
It missed the mark in 1985, but there were still enough touches of the band’s established voice and style to pull it off somewhat decently. (I also admit my nostalgic bias for that trademark Eighties sound!)
In spite of a string of commercial failures, Bob was determined to try yet again to mount a successful comeback and prove his band could still sit comfortably on the Top 100 with a bunch of young whippersnappers who hadn’t even been born when The Four Seasons had their first hit.
What was all the rage in ’92? Hip-hop, new jack swing, soft rock, and adult contemporary. Many of those songs were also full of synths and electronic beats. A far cry from their familiar hits of the Sixties, but they’d constantly proven they weren’t afraid to try new things.
Yet Hope + Glory was also a commercial bomb, with no singles. Why might that have been, beyond the band being long past their heyday and a time when a new generation would’ve eagerly given them a third wind of popularity?
Remember my analogy about the historical fantasy writer who moves into subgenres related to fantasy and historical with a fair bit of success, then tries sci-fi because it’s trendy? Many of her fans eagerly bought her steampunk, alternative history, and contemporary urban fantasy novels, and while her sci-fi attempt was far less successful, it still had enough touches of her established voice and style, albeit buried under copycatting of the latest trends.
Now imagine she hitches her star to YA contemporary. Not only that, her POV and tense are completely different, and she’s trying to sound like someone she’s never been. Every page is full of quickly-dated language like “So I may or may not be doing all the things and having all the feels.”
Longtime fans, by and large, are going to cringe in horror. It’s not that no one can write a popular book like that, but it won’t age well. In fact, it already sounds dated upon its release! Age doesn’t improve it either. It still sounds like a sad attempt to be someone she’s not decades later, with no emotional connection to the story.
Not only did she fail to read the strongest examples of this subgenre and understand what made them stand above the pack, she mindlessly copied instead of translating anything into her long-established unique voice and style. Neither her most devoted fans nor a new generation were having it.
There are some great lyrics on Hope + Glory, but they’re so buried under awful production! This also sounds more like Frankie with any old backing band, not a true Four Seasons record. He even sings two songs with a female vocalist.
Compare this to The Wedding Album, released February ’93. They came out only months apart, yet whereas Hope + Glory sounds super-dated and like a mindless copycat of popular songs anyone in that era could’ve done, The Wedding Album has aged so well and shines with timelessness. One band was true to themselves and earned a huge comeback, while the other cared more about chasing the next big trend and in so doing forgot what made them special.
I also feel really uncomfortable listening to Frankie singing about sex! It’s nowhere near Prince-level explicit, but that’s never been his style! His prior songs with sexual subtexts weren’t that up-front or disturbing.
“Love Has a Mind of Its Own”
“Learn How to Say Goodbye”
“Hope and Glory” (a duet with Frankie and Bob, possibly the standout)
“You and Your Heart So Blue”
“Run for Your Life”
“Help Me to Believe in You” (everything about this song makes me cringe, even the title!)
“State of My Heart”
“The Girl of My Dreams”
“Just the Way You Make Love”
“The Naked I”