Twentieth Arrondissement and Tempio Maggiore Israelitico di Firenze

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St. Gabriel Church and Hélène-Boucher Lycée, Copyright Sigoise

The 20th Arrondissement of Paris (a.k.a. Arrondissement de Ménilmontant) is on the Right Bank. It’s bordered on the north by the 19th Arrondissement, on the west by the 11th Arrondissement, and on the south by the 12th Arrondissement. Probably its most famous attraction and landmark is Père Lachaise Cemetery.

Historically, the higher the number of the arrondissement, the more working-class and poor folks (many of them immigrants). This isn’t the wealthy, stereotypically “cultured” population which flocked to the arrondissements with very low numbers. As a proud proletarian, it’s right up my alley!

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Town Hall, 1908

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Town Hall, 2009, Copyright besopha, Source FlickrMairie

Its population peak and most concentrated density was 1936, with 208,115 residents, 34,779 per square kilometer. It was annexed to Paris in 1859, and formed from the towns of Belleville and Ménilmontant, the municipality of Saint-Mande, and the commune of Charonne. As of 2012, the population was 198,678.

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1905

Besides Père Lachaise, other landmarks include Belleville Cemetery, St. Germain Church of Charonne, Charonne Cemetery, Église Notre-Dame-de-la-Croix de Ménilmontant, Pavillon Carré de Baudouin, Tenon Hospital, Hospital de la Croix Saint-Simon, and many schools and parks. The 20th Arrondissement also has the next-largest Chinatown in Paris.

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Église Notre-Dame-de-la-Croix, Copyright Zantastik

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Église Notre-Dame-de-la-Croix, sometime between 1863–70

My characters are resettled in a cheap apartment in the 20th Arrondissement upon their return from Nantes in December 1945. Wolfram, who’s since left Le Meurice, has the apartment across the hall, and made the arrangements for them to live there for possibly less than the time of a normal lease.

He’s also bought them mattresses and secondhand furniture, put all their tableware and cookware in the cupboards, and moved in all their extra luggage and Caterina’s recovered small furniture. Wolfram insists he doesn’t need to be repaid, and tells them to consider it a belated Chanukah present.

Their apartments are on Rue des Pyrénées, which forms the eastern border of Père Lachaise.

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Église Saint-Germain-de-Charonne, 1900

Everyone but Wolfram goes for a walk through Père Lachaise on Csilla’s 18th birthday, 21 December, before starting their planned walk to Al Syete, a Sephardic synagogue in the 11th Arrondissement. The walk ends in terror and horrific flashbacks for everyone but Imre and Júlia, as they have an up-close and personal encounter with the crematorium.

The moment they realise what the building and smell are, they start going into hysterics, which attracts a lot of negative attention. Marie is so badly affected, she passes out, and Imre has to run back to the apartment to get Csilla’s recovered sled. The boys are shaking too badly to carry her, and Imre only has one good arm, since he broke his left hand last month.

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The monument Marie passes out by, in memory of the victims of a fire at an 1897 showing of Lumière Brothers’ films, Copyright Pierre-Yves Beaudouin / Wikimedia Commons / CC BY-SA 4.0

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Crematorium (chimneys not visible), Copyright Christopher Lancaster, Source Flickr

Tempio Maggiore Israelitico di Firenze, the Great Synagogue of Florence, was built thanks to David Levi, late president of the Florentine Jewish community, bequeathing his entire estate for the building of a new synagogue. Architects Marco Treves, Mariano Falcini, and Prof. Vicente Micheli combined Italian traditions with Moorish style.

Giacomo del Medici designed the great arch, and artist Giovanni Panti provided the beautiful frescoes and mosaics for the interior. Every square inch is covered in coloured designs with Moorish patterns. The copper roof was oxidised green to stand out in the Florentine skyline.

The cornerstone, sent from Jerusalem, was laid 30 June 1874. Inauguration was 24 October 1882.

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Photo by CEphoto, Uwe Aranas

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During WWII, the occupying Germans used the synagogue as a storehouse. There are still bayonet blows visible on the doors of the ark.

In August 1944, the Italian people once again showed their righteousness by rescuing the synagogue from planned German destruction. The retreating Nazis and their foul fascist collaborators filled the building with explosives, but brave resistance fighters were able to defuse almost all of the explosives. Very little damage was done, and it was restored after the war.

During the terrible 1966 flood of the Arno, the synagogue was damaged, but once again restored.

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Copyright sailko

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Copyright sailko

My characters stay by a vacation apartment overlooking the synagogue when they’re in Florence in November–December 1945. The green dome dominates the Florentine skyline, and it’s just a short walk away.

On the eighth day of Chanukah, before Saturday morning services have started, Imre gives Csilla a three-pearl ring in the synagogue. He reassures her it’s not an engagement ring, but just a promise ring. He wants them to have a serious, committed relationship before they’re in a position to discuss marriage, and also wants to mark his territory so other men know she’s off-limits.

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Copyright sailko

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Dohány Utca Synagogue

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Copyright Maciej Podstolski

The Great Synagogue of Dohány Utca in Budapest is Europe’s largest synagogue, and one of the largest in the world. It seats 3,000 people, split about evenly between the women’s galleries and the ground floor. Its denomination is Neolog, a unique Hungarian denomination often misleadingly described as similar to Reform Judaism. It’s more like liberal Modern Orthodoxy.

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Copyright Aktron

The synagogue is in District VII (Erzsébetváros [Elizabeth Town]), the historic Jewish quarter. It was built from 1854–59, in Moorish Revival style, by Viennese architect Ludwig Förster. The decoration was based upon the Islamic Moorish style of Medieval Spain and North Africa. It also was inspired by Byzantine, Gothic, and Romantic style.

The interior was designed by Frigyes Feszl, the fifth of fourteen children in a family of German origin. Many Budapesti buildings were designed by him, though his name is all but unknown in the West. Geometric frescoes prominently feature among the interior design. Originally, the synagogue had a 5,000-pipe organ which was played by the great Franz Liszt.

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Copyright BáthoryPéter

From 1930–31, the Jewish Museum was created in a new adjoining building, on a piece of land where Theodor Herzl’s house used to stand. The museum has a lot of Judaica on display, as well as historical exhibitions and travelling artwork. Its architectural style matches the synagogue.

Another 1931 addition was the Heroes’ Temple, which seats 250 and is today used for services in winter and on weekdays. It was designed by László Vágó and Ferenc Faragó, as a memorial to those Hungarian Jews who gave their lives in the First World War.

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Jewish Museum, Copyright Thaler

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Heroes’ Temple, Copyright Varius

Under the German occupation of 1944–45, the synagogue was part of the Budapest Ghetto. It was located within the large ghetto, for people without protective papers enabling them to live in the Yellow Star Houses. Since so many people died during those brutal final months of the occupation, there was no choice but to bury them in the synagogue courtyard. It’s very unusual for a synagogue to have a cemetery right on the property.

After the war, a number of the bodies were transferred to Kozma Utca Cemetery, but about 2,000 people remained buried in the courtyard of the Great Synagogue. Architect Imre Varga created a weeping willow sculpture to commemorate all the dead, in the Raoul Wallenberg Memorial Park behind the synagogue.

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Copyright Varius

On 3 February 1939, the fascist Arrow Cross bombed the synagogue. During the ensuing war, it was used as a stable and a base for German Radio. More aerial raids followed, this time from the Germans. During the Siege and Battle of Budapest, it particularly suffered, but wasn’t entirely destroyed.

Before the deportations stopped in early July 1944, Eichmann had his office in the women’s gallery, right behind the rose window. He requested reassignment, and in late August was assigned head of a commando squad rescuing Volksdeutsche on the Hungarian–Romanian border, in the way of the approaching Red Army. He returned to Budapest in the autumn, and arranged for brutal forced labour marches to Vienna. On Christmas Eve, he fled before the Soviets had completed their encirclement of the city.

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Copyright Osendi Cadenas

After the war, Budapest became the centre of Jewish life in Hungary (though there were also several thousand people in next-largest city Debrecen). Many of the survivors who were repatriated found no one and nothing in their hometowns, and so moved to Budapest. Though all the major synagogues had suffered damages, the community nevertheless used them for services.

Not too many years later, when the Soviets had completely taken over, it was boarded up and abandoned. Only in 1990 was it reopened for worship and restored.

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Copyright Neer Ildikó

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Weeping willow sculpture, Copyright Ian Pitchford

My characters spend the 1945 High Holidays by Dohány Utca Synagogue, since the native Hungarians among them all come from Neolog backgrounds. It’s also not a far walk from the survivors’ house they’re living in. After they move across the Danube to the Buda side in October, they begin going to the Óbuda Synagogue.

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Copyright Gabor Dvornik