IWSG—An upcoming release and owning my old-fashioned writing style

InsecureWritersSupportGroup

Every first Wednesday of the month, members of the Insecure Writer’s Support Group share worries, insecurities, triumphs, hopes, and fears.

For those of you who missed Monday’s post, my long-delayed second volume about Jakob DeJonghe and Rachel Roggenfelder is scheduled to release on Saturday, 4 June. That date was chosen because it’s the date Jaap and Rachel reunite after 13 months apart (Erev Shavuot 1946). The title was taken from a line in Shakespeare’s Sonnet 29 (which Jakob reads to Rachel while she’s in labor in the penultimate chapter). The first volume’s title came from a line in Sonnet 145, so I thought it’d be fitting to use Shakespearean symbolism again.

Shakespeare was truly a writer for all time, the kind of writer I aspire to be remembered as. Though he very much wrote about people and concerns of his own time, the deeper meanings and the way he used words have resonated across time and cultures. I always think of the Akira Kurosawa films Ran and Throne of Blood as prime exhibits in how Shakespeare’s stories can seamlessly adapt to a much different cultural milieu.

When, in disgrace with fortune and men’s eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featur’d like him, like him with friends possess’d,
Desiring this man’s art and that man’s scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven’s gate;
For thy sweet love remember’d such wealth brings
That then I scorn to change my state with kings.

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Synopsis:

Jakob thinks coming to America and reuniting with his beautiful Rachel is a dream come true, but he soon realizes America’s streets aren’t lined with gold and that people who don’t quite fit in aren’t always treated very nicely. As he’s struggling to adjust to life in America, Rachel struggles with insecurities over how her husband is little more than a stranger. And just when it seems her heart is no longer in turmoil, a new struggle arises—finding a midwife in a country where hospital birth has become the norm. Her search for a midwife isn’t helped by the conformist young wives’ social club she’s been roped into joining, full of women who already look down on her for keeping her surname, wanting to go to college, and enjoying sex.

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I own the fact that my writing style may strike some folks as old-fashioned or impersonal. I know third-person omniscient is very out of fashion in North America these days, so much so many folks genuinely don’t recognize what it is and assume I’m writing as a character, not about a character.

We all make decisions about how much information to directly state vs. force the reader to infer, just as we sometimes have to condense the non-essential events of a longer period of time into a wraparound narrative segment. I personally enjoy filling in the blanks in my own head, instead of always being told exactly how someone shivers in the cold or speaks after getting devastating news. It’s the same way everyone imagines the non-intertitle dialogue in silent films differently, based on our own experiences, personalities, and tastes.

Other folks can write long-drawn-out emotional reactions very effortlessly. The short-lived third version of the opening page of my first Max book was like nails on a chalkboard when I reread it. I hated it so much. It felt gross, pretentious, awkward, corny, silly, forced, fake, because that’s not my natural writing style at all.

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Very exciting news!

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With gratitude to Hashem, my long-delayed second volume about young couple Jakob DeJonghe and Rachel Roggenfelder is scheduled for release on 4 June, Saturday. It should’ve released at least a year ago, but what’s done is done. I let myself get stuck in an unhealthy holding pattern because I was so humiliated and upset over my complete lack of sales.

I like to have release dates which are important to my characters (birthdays, anniversaries, historical events, etc.), and luckily, I found a really good one for this. 4 June 1946 is the date Jakob and Rachel reunite after 13 months apart. That day was Erev Shavuot in 1946, though Shavuot is 11–13 June this year. We’re still in the thick of counting the Omer, which is my favoritest mitzvah. Counting the Omer is so, so special to me, particularly since I let myself fall away from it in 2005 and didn’t come back for several years. I was so depressed over being a family of one and feeling so ignored by the local Jewish community. I felt like Dante waking up in the Wood of Error, no idea how he got there or lost the way so badly.

I’m extremely superstitious about auspicious and inauspicious dates (by my personal reference of what constitutes a lucky vs. unlucky date). For example, in hindsight, I think I had so many problems healing my third lobe piercings because I got them done on the anniversary of the Nazi invasion of Hungary. And while my navel seems to be healing pretty nicely at the 6-month mark, I never would’ve gotten it done on 24 November had I known that was Freddie Mercury’s Jahrzeit (death anniversary). As I’ve said, I’m a lowercase skeptic, not a rigid uppercase Skeptic.

Synopsis:

Jakob thinks coming to America and reuniting with his beautiful Rachel is a dream come true, but he soon realizes America’s streets aren’t lined with gold and that people who don’t quite fit in aren’t always treated very nicely. As he’s struggling to adjust to life in America, Rachel struggles with insecurities over how her husband is little more than a stranger. And just when it seems her heart is no longer in turmoil, a new struggle arises—finding a midwife in a country where hospital birth has become the norm. Her search for a midwife isn’t helped by the conformist young wives’ social club she’s been roped into joining, full of women who already look down on her for keeping her surname, wanting to go to college, and enjoying sex.

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By my standards, it’s really short (all of 104K), and a much quieter, more intimate storyline than my usual wont. There’s no huge ensemble cast or grand, epic, sweeping story arc. Several of my Atlantic City characters briefly appear or are mentioned, but this isn’t their story. Even the Brandts are secondary characters, not leading characters in their own right. This is a story about one young couple, not all of their friends and acquaintances.

There are a number of sex scenes, many of which I featured here when the Horny Hump Day bloghop was still running. There’s also a strong promotion of natural childbirth and evidence-based prenatal care (which naturally flows from Jakob and Rachel’s Dutch values), so this isn’t the book for you if you cheerlead for hospital birth and only hospital birth, lots of drugs, and never questioning the doctor about anything. I always promote natural childbirth and midwifery in my books, in a way which naturally flows with the pre-existing storylines and characters. It’s just how things are done in most of my characters’ native cultures.

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I do have plans for further volumes about Jakob and Rachel in the Fifties and Sixties, with storylines about their going to college, their quest to give their daughter a real bat mitzvah before that was the norm, and the rubella epidemic of 1964. In the concluding volume in 1981, they’ll finally discover what happened to Jaap’s baby sister Emilia when she disappeared in 1940.

IWSG—2016 writing goals

Happy_Christmas_2

Happy Christmas to any readers of the Orthodox Christian faith! I always found it rather unfair Orthodox Christmas gets overlooked, with many people assuming Christmas is over and done with for everyone on 25 December. Not everyone has the same holidays, or observes their holidays on the same days!

InsecureWritersSupportGroup

It’s the first The Insecure Writer’s Support Group meeting of the new year. Every first Wednesday of the month, members share worries, insecurities, triumphs, hopes, and fears. The winners of the IWSG Anthology Contest will also be announced today.

The words just weren’t coming for A Dream Deferred, the fourth volume with my Russian characters. In spite of the chapter-by-chapter notes I made during the summer and having detailed plans for certain scenes and chapters, I just lost almost all of my motivation. I think that was a sign I needed to get back to my alternative history.

I still do plan to release it on 12 August, what would’ve been my protagonist’s 112th birthday. The majority of the work left at this point is Part IV, with some remaining gaps in Parts II and III to fill in, plus a tiny bit in the short Epilogue. I switched to a new desktop picture of my protagonist, for fresh inspiration and a constant reminder to be a good fairy godmother and give him the happy ending he was denied in this life.

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I’ll be releasing And the Lark Arose from Sullen Earth probably within a month. I don’t consider it a major release, just my second volume about Jakob and Rachel. When I was turning my long short story/piece of backstory about my longtime secondary character Jakob into a full-length novel in 2012, the plan had been for it to be one entire book. At the time, I was entering it in contests and having my query letter critiqued as upper YA, so I was cognizant of the length. I even did a fade to black on the wedding-night scene, even though Jakob and Rachel remain technical virgins due to their fear of creating a potential half-orphan before Jakob’s military service ends.

I only expanded the remaining material into a second volume when I felt the story would be too long for YA if it were all in one book. The most perfect ending opened up, and I was able to make the rest of the story as long as it needed to be. Of course, I later admitted to myself I largely write adult historical which just so happens to have young characters. There’s no mistaking the second volume for anything but an adult book, not least because it has a number of sex scenes!

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I still want to have my other two covers revamped, hopefully this time finding an artist who responds to queries in a timely fashion instead of getting deep in arrears. I love the work that artist does, but I don’t need to sit around waiting for a response from someone who takes that kind of attitude. Even if it’s not your day job, you should still be professional and not risk losing potential clients.

I released nothing last year because I was so disappointed and embarrassed at not selling anything. Even if I continue getting far more congratulations and “that sounds interesting” than actual sales, it still can’t hurt to release the books I’d wanted to release last year. The more product out there, the more chance I have of gaining a name.

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I finally achieved my longtime goal of seeing 1,000 silent films on New Year’s Eve, and the list is still growing strong. My lucky #1,000, Victor Sjöström’s The Phantom Carriage (Körkarlen), just so happens to be one of the films I’ll be featuring during this October’s spotlight on classic horror or horror-ish films with landmark anniversaries this year.

I’d like to share the beautiful, haunting prayer offered by phantom driver Georges, his New Year’s prayer for all humanity, a prayer which is repeated in the final intertitle:

Gud, låt min själ få komma till mognad innan den skall skördas!

God, let my soul come to maturity before it is reaped!

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What are your goals, writing or otherwise, for this year? If you could offer one prayer or wish for all humanity, what would it be? Do you celebrate Orthodox Christmas or Epiphany, or have you ever shared in someone else’s celebration?

Horny Hump Day—Jakob and Rachel

My What’s Up Wednesday post is here.

Warning:  Not safe for work or appropriate for those under 18!

Welcome back to Horny Hump Day, a weekly hop where writers share three erotic sentences of a book or WIP. My snippet this week immediately follows last week’s, as 19-year-old Lt. Jakob DeJonghe kisses his dream girl, Rachel Roggenfelder, for the first time. She’s a fair bit more experienced than he is, and has to take over to teach him.

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After awhile, he became emboldened enough to try imitating her, while still letting her lead.  His only active role was running his hands through her hair and along her face.  He was burning with desire to touch a lot more than just her hair and face, but he knew respectable people never went from nothing to everything overnight.

Horny Hump Day—Jakob and Rachel

My What’s Up Wednesday post is here and my Write Path post is here.

Warning:  Not safe for work or appropriate for those under 18!

Welcome back to Horny Hump Day, a weekly hop where writers share three erotic sentences of a book or WIP. I’ve been away for awhile, to focus on the Blogging from A to Z April Challenge, and to focus on my release of And Jakob Flew the Fiend Away on May ninth.

This scene is from May 1945, when 19-year-old Jakob and Rachel kiss for the first time. Jakob has only kissed one other girl before, a friend of his who begged him for a kiss the night before they were deported. Rachel has had several previous boyfriends, and knows much more than he does about technique. He’s happy to let his dream girl teach him.

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That night, as they were counting stars, Jakob slipped his violently shaking arm around her and pulled her towards him, then wrapped his other arm around her, leaned down to her height, and kissed her. Rachel seemed to sense that he didn’t really know what he was doing, and he gratefully let her take over and teach him. He let his mouth become soft, pliant, and passive against hers as she demonstrated the techniques she liked.

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