Xaver Suppe and Xoriatiki Salata

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Xaver suppe, or Xavier soup, is an Italian dish traditionally served on 3 December, the Feast of Saint Xavier. My character Caterina is Italian, and very familiar with this food. Being kosher, she has to make some modifications, since the true recipe uses both chicken broth and lots of dairy products!

Recipe (source: Cooking With the Saints, by Ernst Schuegraf, Ignatius Press, 2001):

1 1/2 cups flour
1/2 cup cream
1/2 cup butter
1/2 cup Parmesan cheese, grated
1/2 teaspoon salt
1/2 teaspoon white pepper
Pinch of nutmeg
2 eggs
2 egg yolks
1 tablespoon parsley, chopped (for dough)
12 cups chicken stock
2 tablespoons chervil, chopped
2 tablespoons parsley, chopped (for soup)

Over low heat, work the flour, cream, butter, and Parmesan into a solid dough. Work in the salt, pepper, nutmeg, eggs, yolks, and parsley. Put the mixture into a piping bag with a big nozzle and pipe pea-sized balls onto a buttered tray. Let stand for about 30 minutes.

In the meantime, heat some salted water until it boils, then drop in all the “dough peas.” Cook for 5 minutes, then remove with a slotted spoon and add to the warm chicken stock. Season soup to taste and add the chervil and 2 tablespoons parsley. Serves 10 to 12 people.

To make it kosher or vegetarian, simply use vegetable broth. For a vegan version, use non-dairy butter, your favorite vegan Parmesan, non-dairy milk in place of the cream, and your egg substitute of choice, equivalent to one egg and one egg yolk.

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Xoriatiki Salata is a dish many people are familiar with. It’s Greek salad, made with ingredients which can include:

Feta
Lettuce
Tomatoes
Cucumbers
Red and/or green peppers
Spinach
Olives
Lemon juice
Onions (which I always skip or pull out!)
Olive oil
Sea salt
Oregano
Red wine vinegar

Non-traditional ingredients some people enjoy adding:

Chickpeas (I love them!)
Baby corn
Bok choi
Avocado (I love adding it!)
Mushrooms (particularly Portobello!)
Dried cranberries
Walnuts
Pine nuts
Slivered almonds

There’s no one set recipe, since you can add as much or as little of each as you prefer. Maybe you love extra feta and tomatoes, but don’t care so much for olives and cucumbers. You might hate onions as I do, and so never include them by choice. And though it’s not traditional, you can add extras like avocado and chickpeas.

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While my characters are staying in a vacation apartment in Florence over Chanukah 1945, Caterina tosses an extra-large Xoriatiki Salata for the days they’ll have dairy meals. This is a dish many people serve during Chanukah, not just those of Greek descent, because of the feta. It’s traditional to eat dairy and foods fried in oil during Chanukah, because of their symbolic relationship to the holiday’s origins.

During the time of the Maccabean Revolt, Judith famously beheaded General Holofernes. She fed him very salty cheeses which made him thirsty, and then got him drunk. Once he was asleep, she cut off his head and displayed it to the Greeks. They fled in panic and disarray. Renaissance painter Artemisia Gentileschi frequently painted this subject. In the most famous painting, she modelled Judith after herself and Holofernes after Agostino Tassi, a friend of her father who raped her and whom she was gutsy enough to bring to court.

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Twentieth Arrondissement and Tempio Maggiore Israelitico di Firenze

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St. Gabriel Church and Hélène-Boucher Lycée, Copyright Sigoise

The 20th Arrondissement of Paris (a.k.a. Arrondissement de Ménilmontant) is on the Right Bank. It’s bordered on the north by the 19th Arrondissement, on the west by the 11th Arrondissement, and on the south by the 12th Arrondissement. Probably its most famous attraction and landmark is Père Lachaise Cemetery.

Historically, the higher the number of the arrondissement, the more working-class and poor folks (many of them immigrants). This isn’t the wealthy, stereotypically “cultured” population which flocked to the arrondissements with very low numbers. As a proud proletarian, it’s right up my alley!

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Town Hall, 1908

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Town Hall, 2009, Copyright besopha, Source FlickrMairie

Its population peak and most concentrated density was 1936, with 208,115 residents, 34,779 per square kilometer. It was annexed to Paris in 1859, and formed from the towns of Belleville and Ménilmontant, the municipality of Saint-Mande, and the commune of Charonne. As of 2012, the population was 198,678.

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Besides Père Lachaise, other landmarks include Belleville Cemetery, St. Germain Church of Charonne, Charonne Cemetery, Église Notre-Dame-de-la-Croix de Ménilmontant, Pavillon Carré de Baudouin, Tenon Hospital, Hospital de la Croix Saint-Simon, and many schools and parks. The 20th Arrondissement also has the next-largest Chinatown in Paris.

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Église Notre-Dame-de-la-Croix, Copyright Zantastik

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Église Notre-Dame-de-la-Croix, sometime between 1863–70

My characters are resettled in a cheap apartment in the 20th Arrondissement upon their return from Nantes in December 1945. Wolfram, who’s since left Le Meurice, has the apartment across the hall, and made the arrangements for them to live there for possibly less than the time of a normal lease.

He’s also bought them mattresses and secondhand furniture, put all their tableware and cookware in the cupboards, and moved in all their extra luggage and Caterina’s recovered small furniture. Wolfram insists he doesn’t need to be repaid, and tells them to consider it a belated Chanukah present.

Their apartments are on Rue des Pyrénées, which forms the eastern border of Père Lachaise.

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Église Saint-Germain-de-Charonne, 1900

Everyone but Wolfram goes for a walk through Père Lachaise on Csilla’s 18th birthday, 21 December, before starting their planned walk to Al Syete, a Sephardic synagogue in the 11th Arrondissement. The walk ends in terror and horrific flashbacks for everyone but Imre and Júlia, as they have an up-close and personal encounter with the crematorium.

The moment they realise what the building and smell are, they start going into hysterics, which attracts a lot of negative attention. Marie is so badly affected, she passes out, and Imre has to run back to the apartment to get Csilla’s recovered sled. The boys are shaking too badly to carry her, and Imre only has one good arm, since he broke his left hand last month.

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The monument Marie passes out by, in memory of the victims of a fire at an 1897 showing of Lumière Brothers’ films, Copyright Pierre-Yves Beaudouin / Wikimedia Commons / CC BY-SA 4.0

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Crematorium (chimneys not visible), Copyright Christopher Lancaster, Source Flickr

Tempio Maggiore Israelitico di Firenze, the Great Synagogue of Florence, was built thanks to David Levi, late president of the Florentine Jewish community, bequeathing his entire estate for the building of a new synagogue. Architects Marco Treves, Mariano Falcini, and Prof. Vicente Micheli combined Italian traditions with Moorish style.

Giacomo del Medici designed the great arch, and artist Giovanni Panti provided the beautiful frescoes and mosaics for the interior. Every square inch is covered in coloured designs with Moorish patterns. The copper roof was oxidised green to stand out in the Florentine skyline.

The cornerstone, sent from Jerusalem, was laid 30 June 1874. Inauguration was 24 October 1882.

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Photo by CEphoto, Uwe Aranas

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During WWII, the occupying Germans used the synagogue as a storehouse. There are still bayonet blows visible on the doors of the ark.

In August 1944, the Italian people once again showed their righteousness by rescuing the synagogue from planned German destruction. The retreating Nazis and their foul fascist collaborators filled the building with explosives, but brave resistance fighters were able to defuse almost all of the explosives. Very little damage was done, and it was restored after the war.

During the terrible 1966 flood of the Arno, the synagogue was damaged, but once again restored.

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Copyright sailko

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Copyright sailko

My characters stay by a vacation apartment overlooking the synagogue when they’re in Florence in November–December 1945. The green dome dominates the Florentine skyline, and it’s just a short walk away.

On the eighth day of Chanukah, before Saturday morning services have started, Imre gives Csilla a three-pearl ring in the synagogue. He reassures her it’s not an engagement ring, but just a promise ring. He wants them to have a serious, committed relationship before they’re in a position to discuss marriage, and also wants to mark his territory so other men know she’s off-limits.

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Copyright sailko

Szent János Hospital, La Samaritaine, and Sant’Ambrogio Market

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View of hospital from Kis–Sváb Hill, Copyright Globetrotter19

Szent János Hospital was founded in 1800, on the corner of Margit Körút (Boulevard) and Hattyú Utca (Swan Street). In 1820, there was new construction (including a statue of St. John of Nepomuk), and in 1873, the number of beds grew from 100 to 234. An 1887 resolution ordered the building of a new hospital, with 300 beds.

The new hospital, with 420 beds, opened 3 August 1898, to great ceremony. That year, the hospital began adding new departments to treat all the sick people of both Buda and Pest. It also served as a teaching hospital. Among the new departments were an X-ray lab (1910), a modern maternity ward (1935), venereal urology (1934), orthopaedic surgery (1918), and eye disorders (1898).

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Entrance to Hospital in the Rock, 1944

Though the hospital was partly damaged during WWII, it wasn’t destroyed or bombed, and the doctors and nurses worked overtime to tend to all the wounded. They hid deserters, dissidents, and Jews, and Prof. Boldizsár Horváth saved a group being held hostage by the Óbuda brick factory. Sadly, the chief physician was taken away, another doctor was shot dead on hospital grounds, and not everyone from the brick factory was able to be saved.

During the Siege and Battle of Budapest, doctors and nurses also used the Hospital in the Rock (Sziklakórház), a hospital carved into the caverns under Buda Castle in the 1930s. By night, the dead were smuggled out and buried in bomb craters. There were times when, due to a total lack of food and supplies, hospital staff had to take them off dead bodies and sterilise them. Horses were also killed for food. It was only meant for 60–70 patients, but it treated up to 600.

Both hospitals again saw heavy use during the 1956 uprising. In late 1956, a spin-off, Royal Children’s Hospital, was created.

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Copyright Solymári

During their stay in Pasarét in October–November 1945, my characters Caterina and Marie find temporary employment by Szent János Hospital. All hands are needed on deck, even though Caterina isn’t currently in possession of her medical license or anything else to prove she’s really a doctor. Marie is only 14, but she’s accepted too, since she served as Caterina’s assistant in three camps. They’re put to work with pediatric patients, much to sweet little Marie’s delight.

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Copyright Pergl Pergl from On the move, Source Flickr

La Samaritaine is a massive Parisian department store founded in 1869 by husband and wife Ernest Cognacq and Marie-Louise Jaÿ. Ironically, Mme. Jaÿ was the first clothing vendor at rival department store Le Bon Marché. It’s in the First Arrondissement, not too far from Le Meurice and the Tuileries Garden.

The couple decided to transform their boutique into a department store by buying up surrounding buildings, and from 1883–1933, the closest blocks were completely renovated and reworked. From 1903–07, Belgian architect Frantz Jourdain gave the building an Art Nouveau style. Final architect Henri Sauvage converted the style to Art Deco.

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Copyright Ana Paula Hirama, Source Paris – France, Mar2015

The 11-story complex takes its name from a hydraulic pump by the nearby Pont Neuf (the oldest surviving bridge over the Seine), which operated from 1609–1813. There was a bas-relief of the Samaritan Woman drawing water for Jesus on the front of the pump, and Cognacq’s original stand was on that very site.

My characters visit La Samaritaine in December 1945, on their first full day in Paris. They take lunch at the rooftop café, which has a lovely bird’s-eye view of the city, including the Eiffel Tower. While there, Imre buys Csilla a tiger fur coat (which she wears out of the store), and replacements for some of the clothes and shoes she lost when she was deported.

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Copyright Groume, Source FlickrSamaritaine

Sant’Ambrogio Market opened in 1873, in Piazza Ghiberti, open every day but Sunday, 7 AM to 2 PM. On Wednesdays and Fridays, they’re open until 7:00. Though the most famous Florentine market is the Central Market, Sant’Ambrogio has a more relaxed atmosphere.

Pretty much everything you could want is sold here—bread, meat, eggs, fruit, vegetables, crafts, cheese, fish, spices, clothes, housewares, pastries, et al. Part of the market is inside, and part outside. Famous restaurant Trattoria da Rocco is also inside the market building.

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Copyright sailko

My characters Caterina, Marie, Eszter, and Júlia go to Sant’Ambrogio in November 1945, since it’s a very short walk from their vacation apartment (financed with the large sum of money Imre and Júlia got from their mother before leaving Budapest). By the market, they pick up almost everything they need to make a grand Italian culinary Chanukah feast.

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Copyright sailko

Pasarét and Ponte Vecchio

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Typical Pasarét villa, Copyright Petru suciu

Pasarét is a Bauhaus neighbourhood in District II of Budapest, on the Buda side. Its borders are Pasaréti Út, Hűvösvölgyi Út (which turns into Szilágyi Erzsébet Fasor), Herman Ottó Út, Lorántffy Zsuzsanna Utca, Battal Út, Csalán Út, Páfrányliget Utca, and part of Szerb Antal Út.

Prior to Hungarian independence, Pasarét was identified as Ried (Meadow) on old Army maps. It was later called Sauwiesen (Pig Meadow) and Schmalzbergel (Fat Hill). Serbian Budapestis called it Paša (Meadow). In 1847, philologist Gábor Döbrentei joined the Serbian name with the Hungarian word rét (meadow) to form the modern name: Meadow Meadow.

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St. Anthony of Padua Church (built 1933), Copyright Globetrotter19

In the early 20th century, it became a desirable location, and attracted many artists, musicians, intellectuals, writers, Bohemians, and scientists. Among its famous residents were Béla Bartók, writer Antal Szerb, politician Imre Nagy, composer Ernő Dohnányi, and writer István Örkény.

One of the most famous landmarks is the St. Anthony of Padua Church, built in Bauhaus style like many of the other Pasarét structures built during the 1930s. Even the bus station was built in Bauhaus style. Pasarét also has several parks, and Ludovika Engineer Academy.

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Bus terminal next to church, Copyright Globetrotter19

My characters move to Pasarét after Eszter receives a letter from her much-older sister Mirjam in early October 1945. Mirjam and her three roommates make room for them, and find an abandoned apartment across the hall for the boys. Since the landlord was killed in a bombing raid during the war, no one’s keeping dibs on what goes on in this building.

During their brief time in Pasarét, Eszter, Jákob, Imre, Csilla, and Artur work at the fictional Hotel Juhász Gyula, in various positions. The hotel is also built in Bauhaus style. It’s a blue, four-story, cubic building, not some sprawling grand hotel or huge edifice rising high into the sky.

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Copyright Tamas Szabó

Ponte Vecchio (Old Bridge) is the oldest surviving Florentine bridge. Its current incarnation was built in 1345. The first version was built by the Romans, and first mentioned in 996. In 1117, it was destroyed by a flood, and the second bridge was destroyed by another flood in 1333. Only two central piers were saved. Ponte Vecchio spans the Arno River at its narrowest point.

Like Budapest, Florence too saw all her bridges destroyed when the Germans surrendered and fled the city. However, unlike Budapest, Florence was left with this one bridge. Supposedly, this was because of an order from Hitler. Regardless, access to the bridge was blocked, since the Germans blew up the buildings on either end.

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Damaged but not destroyed

The bridge has always hosted merchants, kiosks, and shops. According to legend, the concept of bankruptcy originated here, as a money-charger who couldn’t pay his or her debts had the table where the goods were sold (banco) broken (rotto) by soldiers. Hence, the newly-coined term bancorotto (broken table), or banca rotta (broken bank). Without a table, the merchant could no longer sell anything.

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Taken by famous photographer Carlo Brogi

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View from above, Copyright sailko

Above the bridge is the Vasari Corridor, built by Giorgio Vasari on orders from Cosimo I de’ Medici in 1565. This corridor connected Palazzo Vecchio (the town hall) with Palazzo Pitti (chief residence of the Grand Duchy of Tuscany’s rulers). In 1593, the Medicis forbade butchers from selling on the bridge, so it wouldn’t be seen as a low-class place. Butchers had had a monopoly on the shops since 1442. In their place went gold merchants.

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View from below, Copyright sailko

My characters Imre and Csilla reunite on Ponte Vecchio after a brief separation, 22 November 1945, Imre’s 19th birthday. Imre stayed behind in Budapest on some mystery business, which he reveals is exactly what she suspected, going to her hometown Abony to dig up the valuables in her coal cellar and to confront the gendarme who’s now living there, the gendarme who tortured her last June.

Imre also reveals a broken hand, acquired when he accidentally punched a brick wall in his white-hot rage, not realising the gendarme had already fallen unconscious to the floor. He still wasn’t satisfied, and kicked the gendarme over and over again, finishing him off with a shovel to the head, and possibly killing him. Imre says he only did it because he loves her so much, the first time he’s told her he loves her.

Sunset fills the sky after this romantic declaration.

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Copyright Martin Falbisoner

Ospedale di Santa Maria Nuova

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Hospital façade as it was, Fabio Borbottoni

Ospedale di Santa Maria Nuova is the oldest Florentine hospital still in existence. It was founded in 1288 by Folco Portinari, four years after he donated a large part of his banking fortune to create a female hospital wing. Family matriarch Monna Tessa convinced him to build the hospital.

My character Caterina works in the hospital during the first few months after her graduation from med school in 1943, before her deportation in November. Though there was a numerus clausus (anti-Semitic education quota) in Italy, her professors, like many other Italians, looked the other way. Her employers likewise ignored the law.

This hospital is very special to her because it was founded by the father of Dante’s belovèd Beatrice. Caterina feels a very special relationship to Dante because she was born on the 600th anniversary of his death.

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Cloister of Bones, Copyright Sailko

Over the centuries, the hospital grew very large and powerful, thanks to all the contributions from wealthy Florentines. Many talented Florentine artists also contributed their artwork, though not all of these paintings and sculptures have been able to remain in the hospital. Some of them have been transferred to nearby museums so they can be better-preserved.

The 15th century was a particularly booming time for the hospital, with a lot of expansions, renovations, donations, a visit from Pope Martin V in 1419, and the addition of a cloister.

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Monna Tessa’s tombstone in the Cloister of Bones, Copyright Sailko

Bernardo Buontalenti designed a large veranda meant to serve as the hospital entrance, but sadly didn’t live long enough to see it constructed. He passed away in 1608, and Giulio Parigi began constructing the veranda in 1611. Only in 1960 was the veranda finally completed.

In 1660, the lanes in the women’s ward were replaced by Giovanni Battista Pieratti, and made bigger and more spacious.

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View of hospital from above, Copyright Sailko

In 1863, the Cloister of Bones was added. The bones of Monna Tessa, the inspiration for the hospital, were moved here and placed under a tombstone. Many other people are interred here, though there aren’t any contemporary burials.

Probably the hospital’s most famous intern was Leonardo da Vinci, who was there from about 1507–08.

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Main hospital entrance, Copyright Sailko

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Copyright Sailko

When she returns to Florence in November 1945, Caterina plans to go to the hospital for a copy of her medical license, a recommendation letter, and papers proving she worked there. She also plans to go to the university for copies of her transcript and diploma.

As it turns out, she doesn’t need any copies of those documents, since they were never lost. Her friends Velia and Salvatore Morandi, who live on the first floor of her old building, went into her apartment after she was taken away, and packed up as much as they could for safekeeping. They even rescued some smaller furniture, her radio, and her victrola.

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Copyright Sailko

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Copyright Mongolo1984

The hospital is right in the heart of Florence, in the centre of the historic Old Town, in Piazza Santa Maria Nuova. In years past, it contained a botanical garden to grow herbs for an apothecary’s shop, and an insane asylum. Like all hospitals, it’s come a long way from the era when most people went to hospitals to die, not to get better.

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Copyright Sailko