Happy Duran Duran Appreciation Day!—Celebrating my fave songs

To mark DDAD 2019, I decided to showcase ten of my favourite songs. One of the many reasons I’ve been a Duranie for almost eight and a half years is because of the wonderful lyrics. So many of their songs are like poetry.

1: “The Seventh Stranger,” last track on Seven and the Ragged Tiger (1983). Where to start! Every line is like pure poetry. I’ve used the line “like splinters of ice” in my own writing, and titled a chapter “Trading in His Shelter for Danger.”

2: “Secret Oktober,” B-side of “Union of the Snake” (1983). It’s like an avant-garde, surrealistic poem. I really want to use some of the lines as part of chapter titles.

3: “My Antarctica,” sixth track on Liberty (1991). While Liberty is one of the worst albums I’ve ever heard (even worse than Extra Texture), this is one of two standout gems. So romantic! I titled one chapter “Heat Beneath His Winter.”

4: “Lonely in Your Nightmare,” third track on Rio (1982). It’s so beautiful and romantic. I have a chapter entitled “Lonely in Their Nightmares,” and called the first part of a book “Angry in His Nightmare.”

5: “Perfect Day,” third track on Thank You (1995), an album of covers. This was originally a Lou Reed song, and one of the album’s standouts. It reached #28 in the U.K. Lou said, “I think Duran Duran’s version of ‘Perfect Day’ is possibly the best rerecording of a song of mine. I’m not sure that I sang it as well as Simon sang it. I think he sings it better than I. If I could’ve sung it the way he did, I would’ve. It wasn’t from lack of trying.”

6: “To the Shore,” fourth track on their eponymous début (1981). More beautiful surrealistic poetry! It’s a shame this lovely song was left off the U.S. repackaging of their first album, replaced with the single “Is There Something I Should Know?”

7: “Out of My Mind,” fourth track on Medazzaland (1997). The video is so deliciously macabre, making the lyrics even better and taking them in such a wonderfully dark direction. It reached #21 in the U.K. and #14 in Italy.

8: “Beautiful Colours,” recorded 2005 but not officially released on an album or as a single. I love the line “Life isn’t standard-issue, it’s customised.” I’ve used riffs on that line a number of times in my writing.

9: “Palomino,” seventh track on Big Thing (1988). Absolutely gorgeous, lush poetry!

10: “Come Undone,” sixth track on The Wedding Album (1993). Officially, it’s their second eponymous album, but just about everyone calls it The Wedding Album because of the cover art with photos of the bandmembers’ parents’ weddings. The song reached #2 in Canada, #6 in Italy, #7 in the U.S., #9 in Ireland, #13 in the U.K., #16 in New Zealand, #19 in Finland and Australia, and #42 in Belgium and Germany.

This was the song that flipped the switch and made me a Duranie on Valentine’s Day 2011. Someone named it as one of their most romantic songs, and I looked up the video and ended up watching it over and over. This song made me come undone!

Happy 25th birthday to The Wedding Album! (Happy Duran Duran Appreciation Day!)

Image used solely to illustrate the subject for the purposes of an album review, and thus consistent with Fair Use Doctrine

This year, I wanted to spotlight 1993’s The Wedding Album for Duran Duran Appreciation Day. Though it’s actually the band’s second of two eponymous albums, fans widely refer to it as The Wedding Album. Its nickname comes from Nick Egan’s cover art, wedding photographs of the then-four bandmembers’ parents.

Released 11 February 1993 (when I was in seventh grade), this was the band’s seventh studio album and a giant comeback after flagging success. Unfortunately, they didn’t choose the best followup to sustain this great momentum.

The album was recorded and edited from 1991–92, though the band’s new management company, Left Bank, pulled from its release schedule due to less than positive perceived public response. The music industry derided Left Bank for trying to revive the careers of several musical acts seen as outdated. As always, they cared more about the next hot act instead of performers who’d been around past an arbitrary expiration date.

But when this album was released, the music industry had to eat its words. It was #4 in the U.K., #7 in the U.S., #6 in Italy, #8 in Canada, #18 in Finland, #20 in Australia, #21 in Sweden, #22 in Germany, #23 in The Netherlands, and #32 in New Zealand. It was certified Gold in the U.K., and Platinum in the U.S.

Additionally, the album yielded two big hit singles, and a third lesser hit.

This is the track listing:

“Too Much Information” (#35 in the U.K.; #45 in the U.S.; #43 in Canada; #48 in New Zealand)
“Ordinary World” (#1 in Canada; #2 in Italy; #3 in Ireland, the U.S., and New Zealand; #16 in Germany and The Netherlands; #18 in Australia and Finland; #20 in Belgium)
“Love Voodoo”
“Drowning Man”
“Shotgun”
“Come Undone” (the song and music video that flipped the switch and made me into a Duranie on Valentine’s Day 2011!) (#2 in Canada; #6 in Italy; #7 in the U.S.; #9 in Ireland; #13 in the U.K.; #16 in New Zealand; #19 in Finland and Australia; #42 in Belgium and Germany)
“Breath After Breath”
“U.M.F.” (stands for “Ultimate Mind-Fuck”)
“Femme Fatale” (originally done by The Velvet Underground and written by Lou Reed)
“None of the Above”
“Shelter”
“To Whom It May Concern”
“Sin of the City” (about the Happy Land nightclub fire of 25 March 1990 in the Bronx; mistakenly gives the death toll as 89 instead of 87)

It took a couple of listens for me to get fully into this album, but I slowly but surely came to really love it. However, some fans aren’t wild about the experimental tracks “Shotgun” and “Drowning Man,” and others feel the last few songs aren’t as strong as the earlier ones. I kind of agree with that criticism, but the album has such strong material, it helps to cancel out the weaker links.

My favourites are “Too Much Information,” “Breath After Breath,” “Sin of the City” (which I’ve heard as the soundtrack to at least one dream), and, of course, “Come Undone,” the song that made me come undone.

“Divine intervention couldn’t keep the word from leaking out”

Image used solely to illustrate the subject for the purposes of an album review, and consistent with Fair Use Doctrine. I really thought I had photos of my own vinyl copy, but I couldn’t find them. Now my entire vinyl collection is 900 miles away, in storage with almost everything else I own.

As discussed in my fandom story, Valentine’s Day 2011 was that magical moment when the switch flipped and I officially became a Duranie (though I was intellectually in denial about it for awhile). It’s hard to believe seven years have already passed!

To mark my seventh Duraniversary, I decided to review their very underrated album Big Thing, released 18 October 1988. Coming after the masses of screaming teenyboppers had petered out, this album came at a time when the musical scene was shifting from the trademark Eighties synth-pop sound to dance music.

To try to get a fair shot at unbiased radio play, the band sent an edited, three-minute version of “The Edge of America” and “Lake Shore Driving” to radio stations, under the title Official Bootleg: The LSD Edit, and credited to The Krush Brothers.

Track listing, with stars by the bonus tracks on the 2010 reissue:

“Big Thing”
“I Don’t Want Your Love” (#4 in the U.S.; #14 in the U.K.)
“All She Wants Is” (a song I found very monotonous until I saw the awesome music video) (#9 in the U.K.; #22 in the U.S.)
“Too Late Marlene”
“Drug (It’s Just a State of Mind)”
“Do You Believe in Shame?” (#30 in the U.K.; #72 in the U.S.)
“Palomino”
“Interlude One”
“Land”
“Flute Interlude”
“The Edge of America”
“Lake Shore Driving”
“I Don’t Want Your Love” (7″ mix)*
“All She Wants Is” (45 mix)*
“I Believe/All I Need to Know”*
“The Krush Brothers LSD Edit”*
“God (London)”*
“This Is How a Road Gets Made”*
“Palomino” (edit)*
“Drug (It’s Just a State of Mind)” (Remix)*
“Big Thing” (7″ mix)*
“I Don’t Want Your Love” (Big mix)*
“All She Wants Is” (U.S. master mix)*
“Big Thing” (12″ mix)*
“All She Wants Is” (Eurohouse mix)*

The album was #15 in the U.K., and #24 in the U.S. While it’s known as the band’s house music album (a popular style of dance music originating in Chicago), there are also lush, beautiful pieces of musical art like “Palomino” and “Do You Believe in Shame?”

The album also contains three experimental instrumentals, “Interlude One,” “Flute Interlude,” and “Lake Shore Driving.” This isn’t the type of album irrevocably date-stamped and immediately announcing its era.

Due to the relatively low chart position of third single “Do You Believe in Shame?,” the planned fourth single, “Drug,” wasn’t released.

My favorite tracks are “The Edge of America,” “Land,” “Palomino,” “Do You Believe in Shame?,” and “Too Late Marlene.” I’d rate this album a solid 4 stars.

Happy Duran Duran Appreciation Day! (Rio at 35, Part II [Behind the scenes])


“My Own Way” was the very first Rio single to be written and recorded, in October ’81. It was released as a single the next month, in a very different style from the album version. The other eight tracks were recorded in early ’82, produced and engineered by Colin Thurston, at London’s Air Studios.

The massively overplayed “HLTW” was the second single, released 4 May 1982. “Save a Prayer” became the third single on 9 August 1982, and the title track was released as a single on 1 November.

In September 1982, record label EMI released the EP Carnival, featuring the Night Versions (extended dance remixes) of some of the band’s hit singles. The Dutch and Spanish version contained “HLTW,” “Rio,” “Planet Earth,” and “Girls on Film,” while the Canadian and U.S. version had “HLTW,” “Girls on Film,” “Hold Back the Rain,” and “My Own Way.” The Japanese version had “Rio (Part II),” “Hold Back the Rain,” “My Own Way,” “HLTW,” and “New Religion.”

Carnival was very successful, leading Capitol Records to start marketing them as a dance band instead of New Romantics. Seizing the moment, the band compelled Capitol to re-release Rio in the U.S. In November, they got their wishes, and this new version (with the first five tracks re-mixed by David Kershenbaum) went to #6.

The international success of the album and its four singles was due in huge part to the newly-mainstreamed artform of the music video. While music videos had been around for quite a long time, they were typically done only as promotion prior to MTV. They weren’t a carefully-considered artform in the old days.

Who could imagine any Eighties band, artist, or song without the music videos? They’re such a quintessential aspect of my childhood decade. While music videos are still being made (shocking as it is to discover), the modern ones are nothing like the classics from the Eighties.

Music videos were made for the title track, “HLTW,” “Lonely in Your Nightmare,” and “Save a Prayer” in Antigua and Sri Lanka. Also filmed was a very weird music video for “Nightboat,” from their first album.


Warning: Video NSFW or under 18!

A video album was released in 1983, featuring the four singles from Rio, plus album tracks “Lonely in Your Nightmare” and “The Chauffeur.” Also included were four songs from their début album and the March 1983 single “Is There Something I Should Know?”

The album cover was designed by Malcolm Garrett and famously painted by American artist Patrick Nagel, and went on to become one of Nagel’s best-known images. His alternate version of the cover was finally used in 2001 for a limited edition remaster. Most of his works were female figures in a style inspired by Art Déco and initially based off photographs.

Copyright EMI or Patrick Nagel’s estate; used solely to illustrate the subject and consistent with Fair Use doctrine

Rio frequently makes those incessant “best-of” albums lists, for British albums, Eighties albums, and greatest albums of all time. The album has not only remained popular and relevant over the last 35 years, but also influential on many other musicians. It’s not an album anyone could go wrong buying.

Rio at 35, Part I (General overview)

Released 10 May 1982, Rio was Duran Duran’s sophomore album and reached #2 in the U.K. and #1 in Australia. Initially, it didn’t do well in the U.S. (far from the first time a British band has been much more successful in their native land than across the pond). Only in 1983, after Durandemonium broke in the U.S., did it reach #6 on Billboard.

This is one of those quintessentially perfect albums, the album by which all other releases from an artist or band are judged. While I personally have grown to prefer their eponymous 1981 début, there’s no denying Rio is an absolutely perfect album from start to finish.

This is also my cold weather album for the car stereo. When I hear Eighties songs, I automatically picture the music videos. Thinking of the music videos in warm climates like Sri Lanka and the Caribbean makes me feel at least psychosomatically warmed up.

Track listing, with stars by the bonus tracks on the 2009 two-disc CD version:

“Rio” (#9 in the U.K. and Ireland, #3 in Canada, #14 in Finland, #36 in New Zealand, #14 on U.S. Billboard, #5 on U.S. Billboard Mainstream Rock, #14 on U.S. Cash Box Top 100)
“My Own Way” (#14 in the U.K., #10 in Australia, #20 in Ireland, #1 in Portugal)
“Lonely in Your Nightmare” (my favourite track)
“Hungry Like the Wolf” (#1 in Canada and on the U.S. Billboard Top Rock Tracks; #3 on the U.S. Billboard Hot 100; #4 in Ireland, South Africa, and New Zealand; #5 in the U.K. and Australia; #25 in Poland; #32 in Italy; #36 on the U.S. Billboard Hot Dance Club Play; #50 in The Netherlands)
“Hold Back the Rain”
“New Religion” (another favourite)
“Last Chance on the Stairway” (also love this one)
“Save a Prayer” (final line on the album version shorter than the music video version) (#1 in France, #2 in Ireland, #2 in the U.K., #56 in Australia, belatedly #16 in the U.S. in 1985)
“The Chauffeur” (such a sexy, sensual song and music video, back when “sexy” wasn’t synonymous with, pardon the misogynistic expression. “video hos” bumping and grinding in next to no clothes, accompanied by lyrics about horniness and cheap, tawdry sexual exploits)

“Rio” (U.S. album remix)*
“My Own Way” (Carnival remix)*
“Lonely in Your Nightmare” (U.S. album remix)*
“Hungry Like the Wolf” (U.S. album remix)*
“Hold Back the Rain” (U.S. album remix)*
“Last Chance on the Stairway” (Manchester Square Demo)*
“My Own Way” (Manchester Square Demo)*
“New Religion” (Manchester Square Demo)*
“Like an Angel” (Manchester Square Demo)*
“My Own Way” (original 7-inch version)*
“The Chauffeur” (Blue Silver) (early version)*
“My Own Way” (Night version; i.e., an extended dance remix)*
“Hungry Like the Wolf” (Night version)*
“Rio” (Night version)*
“New Religion” (Carnival remix)*
“Hold Back the Rain” (Carnival remix)*
“My Own Way” (instrumental version)*
“Hold Back the Rain” (alternate remix)*

I absolutely love this album, as obscenely overplayed as the title track and “HLTW” are. Everything holds up unbelievably well after 35 years, both the songs themselves and the incredible music videos.

I got it on vinyl in 2007 because it was only $2 and I wanted to indulge my Eighties nostalgia. It didn’t do much for me at first, which wasn’t helped by how I thought they were just a bunch of prettyboys who were only around in the Eighties, a boygroup like NKOTB or Backstreet Boys.

The respective sparks created by both my Eighties childhood and listening to this album a few times finally burst into a beautiful flame when I became a Duranie in early 2011. I can’t believe it’s already been six and a half years since I fell in love with this band!