As someone who naturally and deliberately writes my adult books at saga length, I’ve developed a very keen sense of when a book’s length is justified by the story vs. when it’s just an overwritten sprawl (coughtheinvisiblebridgecough). I’ve also developed a strong sense of when a long story needs split up into multiple books or volumes.
On the flip side, when it comes to my Atlantic City books, I’ve found several places where these short books need combined, since they lead right into one another instead of feeling like true self-contained stories within a series.
As I’ve discussed many times, I still feel I made the right decision in putting out And Jakob Flew the Fiend Away and And the Lark Arose from Sullen Earth as two distinct books. The most perfect ending opened up, and I was able to turn the rest of the source material into a second book about Jakob and Rachel’s first proper year of marriage and Jakob’s first year in America. Each book truly has its own focus, and wouldn’t feel the same if it were just one long book with an uninterrupted story.
Granted, I was trying for traditional publishing at the time and was aware the first book had reached the uppermost limits for both YA and historical, at a bit over 120K. The second book also has a much more New Adult feel and a number of sex scenes, in comparison to the fade to black on the wedding night scene in the first book. But Fate obviously compelled me to make the right decision about how to present this story.
I was also originally trying for traditional publication with Little Ragdoll, and was shocked to discover how frowned-upon sagas are nowadays, esp. from first-time authors and in YA. At the time, I hadn’t yet realised this is truly an adult book that just happens to feature young people in the leading roles. In other words, a Bildungsroman, a coming-of-age story like Great Expectations and Little Women.
Thus, I began querying it and submitting pages as a pretended trilogy, and came up with query letters and synopses for all three books (Parts I and II, Part III, Part IV and the Epilogue). However, I soon came to feel dirty and like a huge fraud for diluting my vision and intention. I always meant it as one long, continuous story, not split up three ways. And while Part IV does read the most like its own standalone book, it also only makes sense and feels right as the conclusion of everything that came before. Adicia finally has no choice but to act instead of passively being acted upon, and emerges from that ordeal a much stronger person than anyone, least of all she herself, ever saw her as.
When it came to Swan, I was always very firm about this story being one entire book. It would make no sense to put out Parts I and II as two different books when so much is still up in the air at the conclusion of Part I. The only thing resolved (for the moment) is that Lyuba and Ivan are finally engaged. I also wrote The Twelfth Time as its sequel, not the third book in the family saga.
Plus, the title has significance for the entire book, and appears in the final line.
People at Absolute Write really got on my hide about the length (330K) and tried to convince me to make it into a series or two books. They also thought it was a historical romance instead of a novel that just happens to prominently feature a love story. One person got really offended when he read a blog post I wrote explaining and defending my wordcount and genre, accusing me of being oppositional and not taking anyone’s advice.
Yeah, it’s almost like writers know their own stories far better than random Internet strangers obsessed with “the rules”! Hist-fic is also traditionally very long, with 120K being the bare minimum for a story spanning many years and with a large ensemble cast.
Dark Forest ended up so long, way past my initial guesstimate of 500K, I had to put it out as one book in four volumes. It perfectly worked out so each part read like its own story, with a focus on different characters and storylines. Of course they all lead into one another, but there’s no sense of ending in media res.
I’ll do the same for Dream Deferred, which also ballooned up way past my conservative guesstimate of 300K. Even after cutting aborted storylines that don’t belong there, it’ll still be extremely long. Thankfully, this book too will feel natural in four volumes instead of forcibly chopped up.
Ultimately, it comes down to gut feelings and your own creative vision. Would this work as a single very long book, one book published in several volumes, or two or more separate books? And would a few novella-length books feel stronger if they were combined into one longer volume?