WeWriWa—Dante’s empty tomb


Welcome back to Weekend Writing Warriors and Snippet Sunday, weekly Sunday hops where writers share 8–10 sentences from a book or WIP. The rules have now been relaxed to allow a few more sentences if merited, so long as they’re clearly indicated, to avoid the creative punctuation many of us have used to stay within the limit.

I’m now sharing excerpts which, as you’ll see in a few weeks, are related to a new project I’m researching, an alternative history set in Medieval Italy. This comes from my hiatused WIP The Strongest Branches of Uprooted Trees, which follows a group of young Shoah survivors from Hungary, France, Czechoslovakia, and Italy as they readjust to the land of the living and decide where they ultimately want to settle.

It’s December 1945, and the friends have gone to the Basilica di Santa Croce in Florence before departing for Paris. This was where young doctor Caterina was apprehended by the Nazis in November 1943, after attempting to hide by Dante’s empty tomb, a place she always felt safe.

They proceeded inside the basilica, and Caterina led the way to the tombs it was famous for. She had to explain who most of these Florentine luminaries were. The others were familiar with Galileo, Michelangelo, and Machiavelli, but not people like Ugo Foscolo, Leonardo Bruni, Eugenio Barsanti, and Vittorio Alfieri. Finally, they came face-to-face with Dante’s empty tomb, waiting for his bones for over a century.

On the left was a figure representing Italy, holding a scepter in her right hand and pointing up at Dante with her left arm. On the right was a figure representing Poetry, holding a crown of laurels in her right hand and prostrated, grief-stricken, over the sarcophagus. Dante himself sat atop the monument, his chin resting on his right hand.

“What does the inscription on top say?” Eszter asked. “I assume the Roman numeral on the bottom refers to either the year this was created or Dante’s lifespan.”

The nine lines end here. A few more follow to finish the scene.

“That Roman numeral is 1829, the year this tomb was built.  The words on top are a quote from The Divine Comedy, Canto Four of Inferno, ‘Onorate l’altissimo poeta,’ ‘Honor the most exalted poet.’” Caterina traced the engraved words. “Perhaps when Dante’s bones return from Ravenna, they’ll add the following line, ‘L’ombra sua torna, ch’era dipartite,’ ‘His spirit, which had left us, returns.’ No matter where his bones are, I believe this is where his spirit resides. Souls aren’t bound by the location of their physical remains.”


Eszter only asks about one Roman numeral because the ones on the left and right sides weren’t engraved there in 1945. They were only added in 1965, to mark Dante’s 700th birthday. Though I’m in no hurry to get old, I have every intention to be in Italy for his 800th birthday in 2065, when I’ll be 85.

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