Posted in 1940s, Historical fiction, Imre, Writing

WeWriWa—Hovering between safety and danger

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Welcome back to Weekend Writing Warriors and Snippet Sunday, weekly Sunday hops where writers share 8–10 sentences from a book or WIP. I’m now sharing from Chapter 45, “Imre’s Revenge,” of my hiatused WIP The Strongest Branches of Uprooted Trees. This week’s snippet comes a bit after last week’s.

It’s November 1945, and Imre chose to stay behind in Budapest when his girlfriend Csilla and their friends were smuggled into Italy. Hoping to prove himself a hero, he went to Csilla’s hometown Abony to recover important possessions she hid last year.

Imre fled back to Budapest after a violent fight with the gendarme who took over Csilla’s house. He’s now at a nearby hospital with his mother, getting treatment for a broken hand. Imre wants to return to his apartment with pain relief, but his mother is afraid it’s not safe for him to go anywhere.

1945 Budapest, Copyright Foto:Fortepan/Kramer István dr

“After what you’ve admitted, the police might already be trying to track you down. I’ll hide you until we can find someone to smuggle you over the border. If you give me the address, I can go to Pasarét myself to retrieve your belongings.”

“Listen to your mother,” the doctor said. “She’s talking sense.”

Imre got some more morphine before being sent home with a big bottle of codeine and a prescription for more. On the taxi back to Wesselényi Utca, he hovered in the strange half-sleep state, until finally being back in his old bed. Hypnos visited him almost as soon as his head hit the pillow.

Author:

I started reading at three (my first book was Grimm's Fairy Tales, the uncensored adult version), started writing at four, started writing book-length things at eleven, and have been a writer ever since. I predominantly write historical fiction family sagas/series. I primarily write about young people, since I was a young person myself when I became a serious writer and didn't know how to write about adults as main characters. I only write in a contemporary setting if the books naturally go into the modern era over the course of the decades-long stories being told over many books. I've always been drawn to books, films, music, fashions, et al, from bygone eras, and have never really been too much into modern things. If something or someone has appeal for all time, it'll still be there to be discovered after the initial to-do has died down. For example, my second-favorite writer enjoyed a huge burst of popularity in the Sixties and Seventies, but he wrote his books from 1904-43, and his books still resonate today, even after he's no longer such a fad. Quality lasts for all time.

7 thoughts on “WeWriWa—Hovering between safety and danger

  1. Well, things definitely are not going as he’d hoped. I wonder what he’ll decide when he wakes. Or, will it be too late then?

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  2. He’s been given some pretty heavy duty drugs. I think he needs to stay in bed for a while and let the healing of his hand begin. His mother seems quite capable of taking care of everything.

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