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In honor of the one and only Frankie Valli turning 85 on 3 May, I’ll be using much of this month to spotlight a crop of albums from the second half of The Four Seasons’ career. Most people who don’t live under a rock have at least passing familiarity with the band’s Sixties songs, but not so many are well-versed in their post-heyday albums.
Their Seventies music has a wonderful maturity, proving they were more than capable of developing into a new direction. It definitely deserves to be heard by a wider audience, and proves they were so much more than bubblegum Top 40.
Released November 1975 (can’t find the exact date), WLY came after three albums with very underwhelming chart positions, and signalled that The Four Seasons were back in very strong form, worthy of being taken seriously. It also came in the middle of Frankie’s hugely underrated solo career.
WLY introduced a new lineup behind Frankie’s familiar anchor—Don Ciccone (bass), formerly of The Critters; John Paiva (guitar); Gerry Polci (drums); and Lee Shapiro (keyboards). Pre-existing bandmembers Joe Long (bass, backing vocals) and Bob Gaudio (keyboards, backing vocals, piano) also appeared, though they were no longer part of The Four Seasons’ public face.
Because Frankie was suffering from gradually worsening otosclerosis during this time, Gerry Polci and Don Ciccone sang most of the lead vocals. Frankie only sings lead on “Storybook Lovers” and “Harmony, Perfect Harmony.” On all the rest, he only appears in choruses, bridges, and the background.
The mature, relevant sounds of this album are the result of songwriter Bob Gaudio keeping a close ear to current music and translating that into The Four Seasons’ unique style and voice. Unlike the critically neglected Genuine Imitation Life Gazette (1969), WLY successfully harnessed the two forces and translated it into a big comeback.
After Frankie had a #1 solo hit in early 1975 with “My Eyes Adored You,” he and Bob got Warner Brothers to sign The Four Seasons to a contract. Simultaneously, a two-LP greatest hits collection was released and quickly gained gold status. Several other solo singles in the first half of 1975 were also big hits.
Though WLY yielded three hits, the album itself only rose to #38. The follow-up Helicon (1977), while awesome, didn’t capture nearly the same amount of public interest. This seems to suggest the band’s new generation of fans were only interested in singles to dance to, not longterm loyalty.
“Silver Star” (#3 in the U.K.; #38 in the U.S.)
“Harmony, Perfect Harmony”
“Who Loves You” (#3 in the U.S.; #6 in the U.K.; #20 in Canada; #13 in South Africa; #16 in Australia)
“Mystic Mr. Sam”
“December, 1963 (Oh, What a Night)” (#1 in the U.S., U.K., Canada, and South Africa; #2 in New Zealand; #3 in Ireland, The Netherlands, Belgium, and Australia; #6 in Norway; #11 in Sweden; #12 in Scotland; #16 in Germany) (one of the most overplayed songs ever!)
“Emily’s (Salle de Danse)”
Yes, there’s an obvious disco sound to some of the songs, but they don’t sound dated or only good for dancing. This album is the complete package of a mid-Seventies sound with The Four Seasons’ unique voice.