Posted in 1910s, 1920s, Movies, Silent film

Raymond Griffith

This is en edited, expanded version of an entry in my “Too Young, Too Soon” series on my old Angelfire site, written around 2005–07.

Raymond Griffith (23 January 1895-25 November 1957) was born into a theatrical family in the great city of Boston. He made his stage début at just fifteen months old. At age seven, he played the lead in Little Lord Fauntleroy, and at age eight, he played a female role in Ten Nights in a Barroom.

His stage career was cut short by two calamities: respiratory diphtheria and going mute. He stated the latter happened during rehearsals for The Witching Hour, when he screamed at the top of his lungs every night. However, other sources believe a childhood disease was the culprit. (You know, one of those diseases anti-vaxxers giggle off as no big deal, and an awesome way to “boost the immune system.”)

When Raymond’s voice finally returned, it was a hoarse whisper. His career as a stage actor was completely shot. After this setback, he joined the circus, worked in vaudeville, was a dancer and dance teacher, went on a European vaudeville tour with a group of French mimes, and joined the Navy for two years.

He broke into films in 1915, first with serious roles; then characters who weren’t presented as funny but involved in situations that often bordered on or ventured into slapstick and comedy; and finally out-and-out comedies.

Unfortunately, most of his surviving films aren’t widely available. Many people lucky enough to be familiar with his entire body of work feel he’d be much more highly-regarded if the public were able to see his films. In 2005, Hands Up! was chosen for preservation in the U.S. National Film Registry of the Library of Congress.

He married actor Bertha Mann in early 1928, after which they took a six-month honeymoon tour of Europe. (Awesomely, Bertha was two years older than Raymond!) Sadly, their first child, Raymond, Jr., was a stillborn. Their next child, Michael, was born in 1931. They adopted a daughter, Patricia, in 1933.

When Raymond returned to the screen, the sound revolution was in full swing. He was one of the rare few actors whose career truly was ruined by sound. However, Raymond went out with a final bang.

In the 1930 screen adaptation of the classic anti-war novel All Quiet on the Western Front, he plays the small but unforgettable role of a dying French soldier whose injuries render him unable to speak above a whisper.

After this memorable performance, Raymond became a writer and producer at 20th Century Fox. All along, he’d co-written far more films than he was credited for. His daughter Patricia remembered him as a voracious reader of classic literature, and believed this provided much inspiration for his screenplays.

At age 62, during a dinner with his wife at the private Masquers Club in L.A., Raymond began choking on his food and died of asphyxia.


I started reading at three (my first book was Grimm's Fairy Tales, the uncensored adult version), started writing at four, started writing book-length things at eleven, and have been a writer ever since. I predominantly write historical fiction family sagas/series. I primarily write about young people, since I was a young person myself when I became a serious writer and didn't know how to write about adults as main characters. I only write in a contemporary setting if the books naturally go into the modern era over the course of the decades-long stories being told over many books. I've always been drawn to books, films, music, fashions, et al, from bygone eras, and have never really been too much into modern things. If something or someone has appeal for all time, it'll still be there to be discovered after the initial to-do has died down. For example, my second-favorite writer enjoyed a huge burst of popularity in the Sixties and Seventies, but he wrote his books from 1904-43, and his books still resonate today, even after he's no longer such a fad. Quality lasts for all time.

5 thoughts on “Raymond Griffith

  1. What a terrible thing for an actor to lose a voice. He was fortunate to be able to have the silent films to fall back on. Touring with the mime troupe is a bit ironic as well.

    I’d hate to choke to death like that. To bad somebody didn’t know the Heimlich maneuver.

    Arlee Bird
    Tossing It Out


Share your thoughts respectfully

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s