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This was one of those albums I got because I saw it in the $2 vinyl stack, and I wanted to indulge my Eighties nostalgia (the same reason I bought Rio in 2007, little dreaming I’d become a Duranie three and a half years later). I ended up really liking this album on its own merits. Unfortunately, the first Culture Club album, Kissing to Be Clever, which I also got in the $2 stacks, didn’t impress me so much.
Their début album may be spotty (with a lot of songs sounding too much alike, too close together), but this their sophomore album absolutely hits it out of the park. It’s a quintessential Eighties album I highly recommend to everyone who loves that decade.
Released October 1983, the album hit #1 in the U.K., Australia, Canada, Japan, and New Zealand; #2 in the U.S., Spain, and Norway; #3 in Sweden and The Netherlands; #4 in France and Switzerland; #6 in West Germany; #9 in Italy; and #17 in Austria.
Track listing, with stars by bonus tracks:
“Karma Chameleon” (one of the most overplayed Eighties songs, right up there with “Hungry Like the Wolf”) (#1 in the U.K., the U.S., Australia, Belgium, Canada, Finland, Ireland, The Netherlands, New Zealand, Norway, South Africa, Spain, Sweden, and Switzerland; #2 in both Germanies; #3 in Austria; #4 in Italy; #5 in France)
“It’s a Miracle” (#4 in the U.K.; #13 in the U.S.; Top 5 in Canada)
“Changing Every Day”
“That’s the Way (I’m Only Trying to Help You)”
“Church of the Poison Mind” (#2 in the U.K. and Ireland; #4 in Australia; #5 in Canada; #9 in Belgium and New Zealand; #10 in the U.S.; #11 in Norway and The Netherlands; #12 in Italy and Austria; #13 in Sweden; #23 in both Germanies; #43 in France)
“Miss Me Blind” (#5 in the U.S. and Canada)
“Victims” (#2 in Ireland and Italy; #3 in the U.K.; #4 in Australia; #7 in New Zealand; #11 in Belgium; #18 in Switzerland; #39 in both Germanies)
“Colour by Numbers”*
Critics by and large loved the album, giving it extremely high ratings. Colour by Numbers has been certified quadruple platinum in the U.S., triple platinum in the U.K., and platinum in Hong Kong; diamond in Canada; and gold in France.
The album is still well-regarded today, both as one of the best albums of the Eighties, and an overall fantastic pop album. It’s hard to pick a favourite song, since they’re all so good!