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Released 9 December 1966, A Quick One was The Who’s sophomore album. From my experience in the fan community, this seems to be one of those things which is largely judged differently along sex-based lines. A lot of guys tend to hate it or think it’s junky bubblegum, while female fans are more forgiving and are even known to like it more than a little.
This isn’t one of the greatest albums of all time, but it’s not the worst either. It’s a typical 1966 album, in that there are a few hits and radio favorites padded out with a bunch of filler. For the most part, I find the filler fun and cute. One guy on the old album reviews section of thewho.net claimed he wanted to throw up every time he played it. As I said in my own review, why would someone play any album he hates so much it makes him want to throw up?
Track listing, with stars by the bonus tracks:
“Run Run Run” (written by Pete)
“Boris the Spider” (written by John)
“I Need You” (credited to Keith but probably 90% written by John)
“Whiskey Man” (written by John)
“Heat Wave” (cover of the Holland-Dozier-Holland song)
“Cobwebs and Strange” (instrumental) (credited to Keith but probably 90% written by John)
“Don’t Look Away” (written by Pete)
“See My Way” (written by Roger)
“So Sad About Us” (written by Pete)
“A Quick One, While He’s Away” (written by Pete)
“Disguises”* (written by Pete)
“Doctor, Doctor”* (written by John)
“I’ve Been Away”* (written by John)
“In the City”* (written by John and Keith)
“Happy Jack”* (written by Pete)
“Man with the Money”* (cover of an Everly Brothers’ song)
“My Generation/Land of Hope and Glory”* (first part written by Pete; second by Edward Elgar)
As per the custom of the era, the album was repackaged for the American market, and retitled Happy Jack. The U.S. version removed “Heat Wave,” and added “Happy Jack” between “Cobwebs and Strange” and “Don’t Look Away.”
The album failed to chart in the U.S., though it reached #4 in the U.K. The only successful single was “Happy Jack,” which charted at #3 in the U.K. and #24 in the U.S. “Boris the Spider” became one of John’s most popular songs, one of the songs most associated with him. “So Sad About Us” also became very popular, as well as the original closing track.
By 1966 standards, “A Quick One, While He’s Away” is a complete anomaly, particularly on an album full of songs ranging from 1:53 to 3:04. It clocks in at 9:10, and, true to what Pete admits is his own pretentious nature, it was billed as a mini-opera. The subject matter is also pretty risqué for 1966, since it’s clearly about an affair and cuckoldry. It consists of six parts:
“Her Man’s Been Gone”
“We Have a Remedy”
“Ivor the Engine Driver”
“Soon Be Home”
“You Are Forgiven”
Pete wanted cellos in the concluding section, but since The Who didn’t exactly have the type of budget as The Beatles did, they had to sing “Cello cello cello cello cello cello cello” several times.
The band were under a contractual requirement to write at least two songs each, though Roger only wrote one. Pete was always their predominant songwriter, though John showed a real talent for songwriting already at this early point. I love the dark, twisted humor in his songs. Roger did go on to write some pretty nice songs, but I think we’re all glad he chose to stick primarily to singing.
It’s fun, cute bubblegum pop, not the hard rock The Who became known for, but that just makes it different, not wretched and inferior. Too many so-called fans seem to think they had to sound a certain way for their entire career, instead of God forbid trying out different musical styles and evolving over time. It’s fine to have a personal preference, but not to bash them for failing to measure up to that preference every single time.